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Weird Era द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Weird Era या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal
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Episode 101: Weird Era feat. Fawn Parker

36:39
 
साझा करें
 

Manage episode 452633062 series 2904844
Weird Era द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Weird Era या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal

About Fawn Parker:
FAWN PARKER is the author of the novels What We Both Know, longlisted for the 2022 Scotiabank Giller Prize, Set-Point, and Dumb-Show, and the poetry collection Soft Inheritance, winner of the Fiddlehead Poetry Book Prize and the J. M. Abraham Atlantic Poetry Award. Her story “Feed Machine” was longlisted for the 2020 Writers’ Trust McClelland & Stewart Journey Prize, and her story “WunderHorse II” was anthologized in André Forget’s After Realism. Fawn is a Ph.D. student at the University of New Brunswick. She divides her time between Toronto and Fredericton.

About Hi, It's Me:
Shortly after her mother’s death, Fawn arrives at the farmhouse. While there, she will stay in her mother’s bedroom in the house that is also occupied by four other women who live by an unusual set of beliefs.

Wrestling with longstanding compulsive and harmful behaviours, as well as severe self-doubt, Fawn is confronted with the reality of her mother’s death. It is her responsibility to catalogue the furniture and possessions in the room, then sell or dispose of them. Instead, Fawn becomes fixated on archiving her mother’s writing and documents, searching for signs, and drawing tenuous connections to help her understand more about the enigmatic woman in the pages.

I am surrounded by mocking evidence of her inhabitancy of this room. Quickly, it is expiring. Today she was alive. When the day runs out that will no longer be true. Tomorrow I will be able to say that yesterday she was alive, at least. The next day, nothing. She will just be dead. The fact seems to be at its smallest now, growing with time. For now she is many things, and there are many places left to find her.

In Hi, It’s Me, Fawn Parker is unafraid to explore the bewildering relationship between the living and the dead. Strikingly original, provocative, and engrossing Hi, It’s Me takes us into the furthest corners of grief, invoking the physicality and painful embodiment of terminal illness with astonishing precision and emotional force. This mesmerizing, devastating novel asks: Why must it be this way?

  continue reading

102 एपिसोडस

Artwork
iconसाझा करें
 
Manage episode 452633062 series 2904844
Weird Era द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Weird Era या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal

About Fawn Parker:
FAWN PARKER is the author of the novels What We Both Know, longlisted for the 2022 Scotiabank Giller Prize, Set-Point, and Dumb-Show, and the poetry collection Soft Inheritance, winner of the Fiddlehead Poetry Book Prize and the J. M. Abraham Atlantic Poetry Award. Her story “Feed Machine” was longlisted for the 2020 Writers’ Trust McClelland & Stewart Journey Prize, and her story “WunderHorse II” was anthologized in André Forget’s After Realism. Fawn is a Ph.D. student at the University of New Brunswick. She divides her time between Toronto and Fredericton.

About Hi, It's Me:
Shortly after her mother’s death, Fawn arrives at the farmhouse. While there, she will stay in her mother’s bedroom in the house that is also occupied by four other women who live by an unusual set of beliefs.

Wrestling with longstanding compulsive and harmful behaviours, as well as severe self-doubt, Fawn is confronted with the reality of her mother’s death. It is her responsibility to catalogue the furniture and possessions in the room, then sell or dispose of them. Instead, Fawn becomes fixated on archiving her mother’s writing and documents, searching for signs, and drawing tenuous connections to help her understand more about the enigmatic woman in the pages.

I am surrounded by mocking evidence of her inhabitancy of this room. Quickly, it is expiring. Today she was alive. When the day runs out that will no longer be true. Tomorrow I will be able to say that yesterday she was alive, at least. The next day, nothing. She will just be dead. The fact seems to be at its smallest now, growing with time. For now she is many things, and there are many places left to find her.

In Hi, It’s Me, Fawn Parker is unafraid to explore the bewildering relationship between the living and the dead. Strikingly original, provocative, and engrossing Hi, It’s Me takes us into the furthest corners of grief, invoking the physicality and painful embodiment of terminal illness with astonishing precision and emotional force. This mesmerizing, devastating novel asks: Why must it be this way?

  continue reading

102 एपिसोडस

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