TN:114 James Ellis Ford

Tape Notes

In The Woods द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री In The Woods या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal।

1+ y ago 1:20:02

MP3•एपिसोड होम

Thanks to Highnote for supporting this episode of Tape Notes.

Highnote is the best way to share, store, and discuss your recording projects, a kind of bespoke Dropbox for audio specifically built for communication. Think time-stamped voice comments directly over your audio, nesting versions to toggle and compare in real time, and instant notifications when people comment or listen to a track you’ve shared. Highnote accounts are completely free and include 4 gigabytes of storage to get your started, plus there's a special offer for Tape Notes listeners of 3 months of their 200GB plan for free.

Head to highnote.fm/tapenotes to find out more.

-------

In this episode, John ventures over to Clapton to join James Ellis Ford and talk about how he wrote, recorded, and produced the album ‘The Hum’.

His debut solo release after almost two decades working with some of the world's biggest artists, James looks back on how his approach to music has changed over the course of the album, reflecting on the different mindsets and decisions that come with producing his own work compared to that of others.

As well as a deep dive into his vast studio setup and hybrid system of new and old creative techniques, we’re treated to thoughts on the fine line of ironing out the humanness of mistakes, and how more often than not, pieces of gear can give you back ideas that you’d never have expected.

Listen to find out which undiscovered mics are used across almost all of the records he works on, how to implement a Frippertronics-style tape setup, and what you can create when you push a bass clarinet to its limits.

Tracks discussed: I Never Wanted Anything, Squeaky Wheel, The Yips

LINKS TO EVERYTHING TAPE NOTES

linktr.ee/tapenotes

Listen to ‘The Hum’ here.

Warp Records

Intro Music - Sunshine Buddy, Laurel Collective

GEAR MENTIONS

FabFilter Pro Q

Soundtoys PrimalTap

Soundtoys DevilLoc

UAD Fairchild Plugins

Eventide H3000 Chorus

Space Station Reverb

Grampian Spring Reverb

MicMix Master Room Reverb MR-II

OUR GEAR

https://linktr.ee/tapenotes_ourgear

HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)

Donate

KEEP UP TO DATE

For behind the scenes photos and the latest updates, make sure to follow us on:

Instagram: @tapenotes

Twitter: @tapenotes

Facebook: @tapenotespodcast

YouTube: Tape Notes Podcast

Discord: Tape Notes

To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!

Visit our website to join our mailing list: www.tapenotes.co.uk

HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)

Donate

TAPE NOTES TEAM

Will Brown - Executive Producer, Engineer & Editor

Tim Adam-Smith - Executive Producer

Will Lyons - Editor

Videographer - Andy Tindall

Guy Nicholls - Production Assistant

159 एपिसोडस

#Artists #Newmusic #Producers #Recordingtechniques #Studio #Bands #Recording #Music Industry #Johnkennedy #Musicproduction #Music #Wood #Albums #BehindTheScenes #Productivity