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Pushkin Industries and iHeartPodcasts and Pushkin Industries द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Pushkin Industries and iHeartPodcasts and Pushkin Industries या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal
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Play It Again: Jeff Daniels

1:13:12
 
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Manage episode 452233248 series 3487750
Pushkin Industries and iHeartPodcasts and Pushkin Industries द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Pushkin Industries and iHeartPodcasts and Pushkin Industries या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal

Today, for your holiday week, we’re returning to one of our favorite 2024 conversations with actor Jeff Daniels.

Daniels is always writing. Plays, songs, a script or two. Even in interviews you get the sense the Michigan native is trying to relay the stories of his life in a way he’d find compelling as a reader, or listener. Bystander — as a viewer.

We sat in April around the latest chapter of his crime series American Rust (12:30), reprising his role as Police Chief Del Harris. It’s a performance inspired by his midwestern upbringing in Chelsea, Michigan (16:06) and the formative teachings of theater director Marshall W. Mason (21:20). Then, Daniels reflects on his arrival to New York City in 1976 (24:06), performing in Lanford Wilson’s play Fifth of July (27:20), and his early on-screen roles in Jonathan Demme’s Something Wild (31:10), Woody Allen’s The Purple Rose of Cairo (34:20), and Noah Baumbach’s The Squid and the Whale (44:20).

On the back-half, we walk through his years making The Newsroom (51:48), working with screenwriter (and then playwright) Aaron Sorkin (53:20), and how the two of them reimagined Atticus Finch and To Kill a Mockingbird for both Broadway (59:49) and what he calls “a country at a crossroads” (1:05:33). To close, we sit with the utility of good writing in this fraught era (1:10:30), and a musical tribute to his late father, Robert (1:15:32).

Thoughts or future guest ideas? Email us at sf@talkeasypod.com.

See omnystudio.com/listener for privacy information.

  continue reading

455 एपिसोडस

Artwork
iconसाझा करें
 
Manage episode 452233248 series 3487750
Pushkin Industries and iHeartPodcasts and Pushkin Industries द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Pushkin Industries and iHeartPodcasts and Pushkin Industries या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal

Today, for your holiday week, we’re returning to one of our favorite 2024 conversations with actor Jeff Daniels.

Daniels is always writing. Plays, songs, a script or two. Even in interviews you get the sense the Michigan native is trying to relay the stories of his life in a way he’d find compelling as a reader, or listener. Bystander — as a viewer.

We sat in April around the latest chapter of his crime series American Rust (12:30), reprising his role as Police Chief Del Harris. It’s a performance inspired by his midwestern upbringing in Chelsea, Michigan (16:06) and the formative teachings of theater director Marshall W. Mason (21:20). Then, Daniels reflects on his arrival to New York City in 1976 (24:06), performing in Lanford Wilson’s play Fifth of July (27:20), and his early on-screen roles in Jonathan Demme’s Something Wild (31:10), Woody Allen’s The Purple Rose of Cairo (34:20), and Noah Baumbach’s The Squid and the Whale (44:20).

On the back-half, we walk through his years making The Newsroom (51:48), working with screenwriter (and then playwright) Aaron Sorkin (53:20), and how the two of them reimagined Atticus Finch and To Kill a Mockingbird for both Broadway (59:49) and what he calls “a country at a crossroads” (1:05:33). To close, we sit with the utility of good writing in this fraught era (1:10:30), and a musical tribute to his late father, Robert (1:15:32).

Thoughts or future guest ideas? Email us at sf@talkeasypod.com.

See omnystudio.com/listener for privacy information.

  continue reading

455 एपिसोडस

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