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The Maier Effect
Manage episode 437201410 series 2362637
"Don't tell your parents where we went”
“I’m sort of a spy,”
― Vivian Maier
In this episode, Ward and Antonio start off by diving into Ward's recent exploration of minimalist photography. Ward shares how he has been capturing everyday objects—like cars and sheds—using his phone camera in black and white. His focus is on the "thinginess" of these mundane subjects, turning them into striking images that highlight their presence and simplicity. Ward reflects on how this approach mirrors his earlier work and discusses the surprisingly high quality of prints that could be achieved with smartphone cameras.
The conversation moves on to Antonio's recent experience attending a talk by photographer Sean Tucker, who discussed themes from his book, "The Meaning and the Making." Antonio shares insights from the event, highlighting Tucker's emphasis on slowing down and appreciating the process of photography in an era dominated by the rapid pace of social media. This discussion prompts both hosts to reflect on the challenges and rewards of practicing mindful photography today.
Finally, the episode wraps up with a deep dive into the work of street photographer Vivian Maier. Antonio recently visited an extensive exhibition of her work in New York City, and Ward also saw a Vivian Maier show in early 2020, sparking a rich discussion about her photography. They reflect on the impact of viewing Maier's prints in person and the curatorial choices that brought out different aspects of her work, from "Subtle Gestures" to "Remarkable Identities." They explore the ongoing debate around Maier’s style, her legacy, and the ethics of critiquing her personal life posthumously.
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Help out the show by buying us a coffee!
Support the show by purchasing Antonio’s Zines.
Send us a voice message, comment or question.
Show Links:
Antonio M. Rosario's Website, Vero, Instagram and Facebook page
Ward Rosin’s Website, Vero, Instagram and Facebook page.
Subscribe to us on:
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200 एपिसोडस
Manage episode 437201410 series 2362637
"Don't tell your parents where we went”
“I’m sort of a spy,”
― Vivian Maier
In this episode, Ward and Antonio start off by diving into Ward's recent exploration of minimalist photography. Ward shares how he has been capturing everyday objects—like cars and sheds—using his phone camera in black and white. His focus is on the "thinginess" of these mundane subjects, turning them into striking images that highlight their presence and simplicity. Ward reflects on how this approach mirrors his earlier work and discusses the surprisingly high quality of prints that could be achieved with smartphone cameras.
The conversation moves on to Antonio's recent experience attending a talk by photographer Sean Tucker, who discussed themes from his book, "The Meaning and the Making." Antonio shares insights from the event, highlighting Tucker's emphasis on slowing down and appreciating the process of photography in an era dominated by the rapid pace of social media. This discussion prompts both hosts to reflect on the challenges and rewards of practicing mindful photography today.
Finally, the episode wraps up with a deep dive into the work of street photographer Vivian Maier. Antonio recently visited an extensive exhibition of her work in New York City, and Ward also saw a Vivian Maier show in early 2020, sparking a rich discussion about her photography. They reflect on the impact of viewing Maier's prints in person and the curatorial choices that brought out different aspects of her work, from "Subtle Gestures" to "Remarkable Identities." They explore the ongoing debate around Maier’s style, her legacy, and the ethics of critiquing her personal life posthumously.
Subscribe to our Substack Newsletter
Help out the show by buying us a coffee!
Support the show by purchasing Antonio’s Zines.
Send us a voice message, comment or question.
Show Links:
Antonio M. Rosario's Website, Vero, Instagram and Facebook page
Ward Rosin’s Website, Vero, Instagram and Facebook page.
Subscribe to us on:
----more----
200 एपिसोडस
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