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Sonic Acts द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Sonic Acts या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal
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Dani Admiss – Sunlight Doesn’t Need a Pipeline

30:20
 
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Manage episode 378196712 series 2612610
Sonic Acts द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Sonic Acts या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal
Sunlight Doesn’t Need a Pipeline by Dani Admiss SONIC ACTS BIENNIAL 2022 15 October 2022 – Likeminds, Amsterdam, The Netherlands Dani Admiss looks at how a collaborative climate justice project Sunlight Doesn’t Need a Pipeline initiates a collective rethink about what forms of repair are needed in the art sector and beyond. The current solutions of climate repair are flawed; carbon accounting and offsetting practices reiterate a narrative where one party repairs for another and scarcity narratives such as the half-Earth ‘solution’ propose a redistribution that imposes violence for many and a feeling of loss for others. In her talk, Admiss talks about commissioned projects by Luiza Prado and Chanelle Adams within the context of the Sunlight project. She also thinks about how repair can be meaningful to people in their own lived experiences and communities, as well as within environments that are shaped by humanity but exist far beyond them. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution’s invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces’ not just as the material act of spreading toxicity, but as art’s potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 https://daniadmiss.com https://sunlightdoesntneedapipeline.com Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/
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70 एपिसोडस

Artwork
iconसाझा करें
 
Manage episode 378196712 series 2612610
Sonic Acts द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Sonic Acts या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal
Sunlight Doesn’t Need a Pipeline by Dani Admiss SONIC ACTS BIENNIAL 2022 15 October 2022 – Likeminds, Amsterdam, The Netherlands Dani Admiss looks at how a collaborative climate justice project Sunlight Doesn’t Need a Pipeline initiates a collective rethink about what forms of repair are needed in the art sector and beyond. The current solutions of climate repair are flawed; carbon accounting and offsetting practices reiterate a narrative where one party repairs for another and scarcity narratives such as the half-Earth ‘solution’ propose a redistribution that imposes violence for many and a feeling of loss for others. In her talk, Admiss talks about commissioned projects by Luiza Prado and Chanelle Adams within the context of the Sunlight project. She also thinks about how repair can be meaningful to people in their own lived experiences and communities, as well as within environments that are shaped by humanity but exist far beyond them. Sonic Acts Biennial 2022 took place at various locations in Amsterdam, interweaving an exhibition, sound performances and discourse programme, accompanied by artist presentations, workshops, excursions and more. As a part of the Biennial programme, the Leaving Traces symposium opened up a forum in which to become attentive to pollution’s invisible, yet harmful touch. Actively rethinking our relation to the climate and our planetary legacies, an array of artists, researchers, curators, and scholars spoke of the many faces of toxicity – from fossil fuels to plastic, from nuclear energy to chemical pollutants. The gathering staged real stories and events of exposure, thinking about ‘leaving traces’ not just as the material act of spreading toxicity, but as art’s potential to reach out and act as a disruptive force in the world. Find out more at https://sonicacts.com/archive/biennial2022 https://daniadmiss.com https://sunlightdoesntneedapipeline.com Curation & production: Sonic Acts Recording: Engage! TV https://engagetv.com Sound mastering: Monty Mouw http://flippendisks.com Design: Catalogtree https://catalogtree.net Sound logo: Roc Jiménez de Cisneros http://www.vivapunani.org/
  continue reading

70 एपिसोडस

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