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No Film School द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री No Film School या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal
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How To Get a Short Film Into Sundance – and Turn It Into a Feature

45:32
 
साझा करें
 

Manage episode 417966849 series 118896
No Film School द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री No Film School या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal

“There’s never been a better time to make shorts or watch shorts,” says Mike Plante, the senior short film programmer at Sundance Film Festival. Mike, who has been at Sundance for over 20 years, shares his thoughts on the future of shorts and what his team looks for in the selection process.

In today’s episode, No Film School’s Ryan Koo speaks with Mike Plante to discuss:

  • Developing motion picture films at the drug store in the ‘90s
  • Why shorts are a great medium to learn and experiment
  • Working at festivals and movie theaters
  • Receiving over 12,000 short submissions in 2024
  • Disadvantages of creating long shorts
  • Differences in funding international shorts
  • Seeing many different types of voices, stories, and styles
  • Sundance shorts that later became features
  • What makes you a filmmaker
  • What Sundance looks for in a short

Memorable Quotes

  • “You’re always a filmmaker, but there will be months you’re not doing anything on your film.” [2:48]
  • “You may watch a thousand shorts and nothing is good. Then you just start to lose your mind.” [10:45]
  • “Your 30-minute short has to be better than three, 10-minute shorts.” [12:25]
  • “The internet is good for shorts because you can put it up. It doesn’t mean anyone will watch it.” [31:31]

Mentioned

Submission Dates for Sundance

Find No Film School everywhere:

On the Web

https://nofilmschool.com/

Facebook

https://www.facebook.com/nofilmschool

Twitter

https://twitter.com/nofilmschool

YouTube

https://www.youtube.com/user/nofilmschool

Instagram

https://www.instagram.com/nofilmschool

Send us an email with questions or feedback: podcast@nofilmschool.com!

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

802 एपिसोडस

Artwork
iconसाझा करें
 
Manage episode 417966849 series 118896
No Film School द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री No Film School या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal

“There’s never been a better time to make shorts or watch shorts,” says Mike Plante, the senior short film programmer at Sundance Film Festival. Mike, who has been at Sundance for over 20 years, shares his thoughts on the future of shorts and what his team looks for in the selection process.

In today’s episode, No Film School’s Ryan Koo speaks with Mike Plante to discuss:

  • Developing motion picture films at the drug store in the ‘90s
  • Why shorts are a great medium to learn and experiment
  • Working at festivals and movie theaters
  • Receiving over 12,000 short submissions in 2024
  • Disadvantages of creating long shorts
  • Differences in funding international shorts
  • Seeing many different types of voices, stories, and styles
  • Sundance shorts that later became features
  • What makes you a filmmaker
  • What Sundance looks for in a short

Memorable Quotes

  • “You’re always a filmmaker, but there will be months you’re not doing anything on your film.” [2:48]
  • “You may watch a thousand shorts and nothing is good. Then you just start to lose your mind.” [10:45]
  • “Your 30-minute short has to be better than three, 10-minute shorts.” [12:25]
  • “The internet is good for shorts because you can put it up. It doesn’t mean anyone will watch it.” [31:31]

Mentioned

Submission Dates for Sundance

Find No Film School everywhere:

On the Web

https://nofilmschool.com/

Facebook

https://www.facebook.com/nofilmschool

Twitter

https://twitter.com/nofilmschool

YouTube

https://www.youtube.com/user/nofilmschool

Instagram

https://www.instagram.com/nofilmschool

Send us an email with questions or feedback: podcast@nofilmschool.com!

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

802 एपिसोडस

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