C. Thi Nguyen: Values, Legibility, and Gamification

The Gradient: Perspectives on AI

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10d ago 1:30:13

MP3•एपिसोड होम

Episode 127

I spoke with Christopher Thi Nguyen about:

* How we lose control of our values

* The tradeoffs of legibility, aggregation, and simplification

* Gamification and its risks

Enjoy—and let me know what you think!

C. Thi Nguyen as of July 2020 is Associate Professor of Philosophy at the University of Utah. His research focuses on how social structures and technology can shape our rationality and our agency. He has published on trust, expertise, group agency, community art, cultural appropriation, aesthetic value, echo chambers, moral outrage porn, and games. He received his PhD from UCLA. Once, he was a food writer for the Los Angeles Times.

I spend a lot of time on this podcast—if you like my work, you can support me on Patreon :)

Reach me at editor@thegradient.pub for feedback, ideas, guest suggestions.

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Outline:

* (00:00) Intro

* (01:10) The ubiquity of James C. Scott

* (06:03) Legibility and measurement

* (12:50) Value capture, classes and measurement

* (17:30) Political value choice in ML

* (23:30) Why value collapse happens

* (33:00) Blackburn, “Hume and Thick Connexions” — projectivism and legibility

* (36:20) Heuristics and decision-making

* (40:08) Institutional classification systems

* (46:55) Back to Hume

* (48:27) Epistemic arms races, stepping outside our conceptual architectures

* (56:40) The “what to do” question

* (1:04:00) Gamification, aesthetic engagement

* (1:14:51) Echo chambers and defining utility

* (1:22:10) Progress, AGI millenarianism

* (disclaimer: I don’t know what’s going to happen with the world, either.)

* (1:26:04) Parting visions

* (1:30:02) Outro

Links:

* Chrisopher’s Twitter and homepage

* Games: Agency as Art

* Papers referenced

* Transparency is Surveillance

* Games and the art of agency

* Autonomy and Aesthetic Engagement

* Art as a Shelter from Science

* Value Capture

* Hostile Epistemology

* Hume and Thick Connexions (Simon Blackburn)

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