Artwork

Sasha Opeiko + Martin Stevens द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Sasha Opeiko + Martin Stevens या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal
Player FM - पॉडकास्ट ऐप
Player FM ऐप के साथ ऑफ़लाइन जाएं!

The Futile Knocking of My Heart

साझा करें
 

संग्रहीत श्रृंखला ("निष्क्रिय फ़ीड" status)

When? This feed was archived on August 01, 2022 16:35 (2y ago). Last successful fetch was on August 31, 2021 23:08 (2+ y ago)

Why? निष्क्रिय फ़ीड status. हमारे सर्वर निरंतर अवधि के लिए एक वैध डिजिटल ऑडियो फ़ाइल फ़ीड पुनर्प्राप्त करने में असमर्थ थे।

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage series 2890225
Sasha Opeiko + Martin Stevens द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Sasha Opeiko + Martin Stevens या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal

"The Futile Knocking of My Heart" is a collaborative sound project by Sasha Opeiko and Martin Stevens, with contributions from guest artists. Each episode is an experimental rumination of melancholy, loss or speculation. Each artist is asked to find their inspiration using the sampled and modified sounds of the Deathwatch Beetle (Xestobium rufovillosum), a creature of myth and destructive reality.

The deathwatch beetle is a woodboring insect which occupies ancient buildings, tunneling into the structural timbers. The beetles batter their heads against their tunnel walls with a heart-like rhythm as a way of attracting mates, producing patterns of an echoing knock that resonates through the structure of the dwelling. The knocking is an individual signal to a potential mate, the louder the knocking of the male, the more response it receives from a female. The beetles pair up sonically and approach each other over relatively great distances.

Archaic superstition holds that the deathwatch beetle is a harbinger of death, likened to a clicking of the reaper’s skeletal fingers, and, the deathwatch beetle is named for the vigil (watch) kept over the dying or dead. Medieval myth conjured omens in a demon-driven world, both peasants and kings dying in their beds with this dreadful sonic accompaniment.

The superstition is no longer applicable, though the lore survives through the beetle’s eerie nomenclature. The romance of the insect has also waned as living with a contemporary infestation of these beetles makes domestic existence extremely disquieting.

The proliferation of parasitic life forms is incrementally self-destructive in that the beetle devastates the host’s habitat or dwelling, as well as its own. Coexistence with the deathwatch beetle can be likened to an uncanny 24-hour immersive inhuman sound installation designed and carried out by parasites.The response of someone subjected to a deathwatch beetle infestation is sensory, an embodiment of the uncanny, a psychological sensation of something familiar but estranged, a primal relation to the echoed stuttering heartbeat of the insects’ calling. .

_______________________________________________________

We are curating submissions for future episodes on an ongoing basis; please contact us to apply opeiko.stevens@gmail.com All Podcast artist receive a free T!

To cover publishing, we offer printed beetle logo t-shirts for purchase at - opeikostevens.bigcartel.com/

To access the live stream of a virtual deathwatch beetle infestation, "Structural Timbres: A Generative Infestation", programmed by Montreal artist Andrew Bradt - https://www.twitch.tv/andrew_bradt (There is also a recorded selection of this infestation as a podcast episode).

_______________________________________________________

Originally produced for and presented by Opeiko + Stevens at “Speculative Figures and Futures: Our Uncanny Postapocalypse (Part 1: Sights and Sounds)”, The 52nd Annual Convention of the Northeast Modern Language Association, on March 13, 2020.

  continue reading

13 एपिसोडस

Artwork
iconसाझा करें
 

संग्रहीत श्रृंखला ("निष्क्रिय फ़ीड" status)

When? This feed was archived on August 01, 2022 16:35 (2y ago). Last successful fetch was on August 31, 2021 23:08 (2+ y ago)

Why? निष्क्रिय फ़ीड status. हमारे सर्वर निरंतर अवधि के लिए एक वैध डिजिटल ऑडियो फ़ाइल फ़ीड पुनर्प्राप्त करने में असमर्थ थे।

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage series 2890225
Sasha Opeiko + Martin Stevens द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Sasha Opeiko + Martin Stevens या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal

"The Futile Knocking of My Heart" is a collaborative sound project by Sasha Opeiko and Martin Stevens, with contributions from guest artists. Each episode is an experimental rumination of melancholy, loss or speculation. Each artist is asked to find their inspiration using the sampled and modified sounds of the Deathwatch Beetle (Xestobium rufovillosum), a creature of myth and destructive reality.

The deathwatch beetle is a woodboring insect which occupies ancient buildings, tunneling into the structural timbers. The beetles batter their heads against their tunnel walls with a heart-like rhythm as a way of attracting mates, producing patterns of an echoing knock that resonates through the structure of the dwelling. The knocking is an individual signal to a potential mate, the louder the knocking of the male, the more response it receives from a female. The beetles pair up sonically and approach each other over relatively great distances.

Archaic superstition holds that the deathwatch beetle is a harbinger of death, likened to a clicking of the reaper’s skeletal fingers, and, the deathwatch beetle is named for the vigil (watch) kept over the dying or dead. Medieval myth conjured omens in a demon-driven world, both peasants and kings dying in their beds with this dreadful sonic accompaniment.

The superstition is no longer applicable, though the lore survives through the beetle’s eerie nomenclature. The romance of the insect has also waned as living with a contemporary infestation of these beetles makes domestic existence extremely disquieting.

The proliferation of parasitic life forms is incrementally self-destructive in that the beetle devastates the host’s habitat or dwelling, as well as its own. Coexistence with the deathwatch beetle can be likened to an uncanny 24-hour immersive inhuman sound installation designed and carried out by parasites.The response of someone subjected to a deathwatch beetle infestation is sensory, an embodiment of the uncanny, a psychological sensation of something familiar but estranged, a primal relation to the echoed stuttering heartbeat of the insects’ calling. .

_______________________________________________________

We are curating submissions for future episodes on an ongoing basis; please contact us to apply opeiko.stevens@gmail.com All Podcast artist receive a free T!

To cover publishing, we offer printed beetle logo t-shirts for purchase at - opeikostevens.bigcartel.com/

To access the live stream of a virtual deathwatch beetle infestation, "Structural Timbres: A Generative Infestation", programmed by Montreal artist Andrew Bradt - https://www.twitch.tv/andrew_bradt (There is also a recorded selection of this infestation as a podcast episode).

_______________________________________________________

Originally produced for and presented by Opeiko + Stevens at “Speculative Figures and Futures: Our Uncanny Postapocalypse (Part 1: Sights and Sounds)”, The 52nd Annual Convention of the Northeast Modern Language Association, on March 13, 2020.

  continue reading

13 एपिसोडस

सभी एपिसोड

×
 
Loading …

प्लेयर एफएम में आपका स्वागत है!

प्लेयर एफएम वेब को स्कैन कर रहा है उच्च गुणवत्ता वाले पॉडकास्ट आप के आनंद लेंने के लिए अभी। यह सबसे अच्छा पॉडकास्ट एप्प है और यह Android, iPhone और वेब पर काम करता है। उपकरणों में सदस्यता को सिंक करने के लिए साइनअप करें।

 

त्वरित संदर्भ मार्गदर्शिका