Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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The Cinematography Podcast द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री The Cinematography Podcast या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal।
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The creepy cinematography of Smile 2: DP Charlie Sarroff
MP3•एपिसोड होम
Manage episode 447725110 series 105726
The Cinematography Podcast द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री The Cinematography Podcast या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal।
In the horror film Smile 2, pop star Skye Riley, preparing for a world tour, encounters a troubled friend who passes on the sinister "Smile" curse. As Skye's life spirals into chaos and her sanity deteriorates, she must confront the terrifying entity and its deadly grip before it consumes her and everyone around her. Cinematographer Charlie Sarroff and director Parker Finn wanted to be sure that the sequel to Smile was more than just a rehash of the same basic idea. They wanted to push and elevate the basic storyline into something bigger, while keeping what worked in the first film intact. Smile 2 definitely has a much bigger scale, with stage lighting and live performance sequences for pop star Skye Riley (Naomi Scott). Early on, Charlie knew he would have to film and light stage performances. He worked closely with lighting designer Brian Spett to get the stage lighting just right. Together, Charlie, Finn, and production designer Lester Cohen created a color palette consisting of reds with silver and blue elements. “Being a cinematographer is about surrounding yourself with great people and then asking them for help,” says Charlie. Charlie wanted some scenes to “bloom” more, almost so that they looked overexposed. Some parts of Smile 2 were shot on Kodak film to create this effect, and then the film went through a skip bleach process to add to the bloom effect. Then the film was outputted to digital for mastering and further color correction to really make the reds pop. Charlie feels that the process adds a lot to the look. “It smooths out the film, and adds twinkle to the lights. It just infuses into the image a little bit more. I think it can help effects and makeup, too, without being super grainy.” Smile 2 used many of the same camera movements and lenses as Smile, including plenty of zooms to add to the discomfort. Charlie used a very specific lens for people with the smiling curse. “I shot each smile on a very wide lens, a 28mm- when you're that close up on that lens, it makes people feel extremely uncomfortable. We never used long lenses,” he adds. “I used a lot of zooms, for specific moments when heavy things are going down to hone in on something. Zooms provoke a different emotion, especially at the end (of the film.) Zooming in shows that Skye is getting closer to the curse.” Smile 2 is in theaters now. Find Charlie Sarroff: https://charliesarroff.com/ Instagram: @charliesarroff Hear our previous interview with Charlie Sarroff on Smile: https://www.camnoir.com/ep187/ Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by ARRI The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz
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303 एपिसोडस
MP3•एपिसोड होम
Manage episode 447725110 series 105726
The Cinematography Podcast द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री The Cinematography Podcast या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal।
In the horror film Smile 2, pop star Skye Riley, preparing for a world tour, encounters a troubled friend who passes on the sinister "Smile" curse. As Skye's life spirals into chaos and her sanity deteriorates, she must confront the terrifying entity and its deadly grip before it consumes her and everyone around her. Cinematographer Charlie Sarroff and director Parker Finn wanted to be sure that the sequel to Smile was more than just a rehash of the same basic idea. They wanted to push and elevate the basic storyline into something bigger, while keeping what worked in the first film intact. Smile 2 definitely has a much bigger scale, with stage lighting and live performance sequences for pop star Skye Riley (Naomi Scott). Early on, Charlie knew he would have to film and light stage performances. He worked closely with lighting designer Brian Spett to get the stage lighting just right. Together, Charlie, Finn, and production designer Lester Cohen created a color palette consisting of reds with silver and blue elements. “Being a cinematographer is about surrounding yourself with great people and then asking them for help,” says Charlie. Charlie wanted some scenes to “bloom” more, almost so that they looked overexposed. Some parts of Smile 2 were shot on Kodak film to create this effect, and then the film went through a skip bleach process to add to the bloom effect. Then the film was outputted to digital for mastering and further color correction to really make the reds pop. Charlie feels that the process adds a lot to the look. “It smooths out the film, and adds twinkle to the lights. It just infuses into the image a little bit more. I think it can help effects and makeup, too, without being super grainy.” Smile 2 used many of the same camera movements and lenses as Smile, including plenty of zooms to add to the discomfort. Charlie used a very specific lens for people with the smiling curse. “I shot each smile on a very wide lens, a 28mm- when you're that close up on that lens, it makes people feel extremely uncomfortable. We never used long lenses,” he adds. “I used a lot of zooms, for specific moments when heavy things are going down to hone in on something. Zooms provoke a different emotion, especially at the end (of the film.) Zooming in shows that Skye is getting closer to the curse.” Smile 2 is in theaters now. Find Charlie Sarroff: https://charliesarroff.com/ Instagram: @charliesarroff Hear our previous interview with Charlie Sarroff on Smile: https://www.camnoir.com/ep187/ Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by ARRI The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz
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303 एपिसोडस
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