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Netflix द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Netflix या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal।
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Lipstick on the Rim
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1 Amy Schumer & Brianne Howey on the Importance of Female Friendships, Navigating Hollywood's Double Standards, Sharing Their Birth Stories, and MORE 50:05
50:05
बाद में चलाएं
बाद में चलाएं
सूचियाँ
पसंद
पसंद50:05
This week, in what might be the funniest episode yet, Molly and Emese are joined by co-stars Amy Schumer and Brianne Howey. They get candid about motherhood, career evolution, and their new film, Kinda Pregnant —which unexpectedly led to Amy’s latest health discovery. Amy opens up about how public criticism led her to uncover her Cushing syndrome diagnosis, what it’s like to navigate comedy and Hollywood as a mom, and the importance of sharing birth stories without shame. Brianne shares how becoming a mother has shifted her perspective on work, how Ginny & Georgia ’s Georgia Miller compares to real-life parenting, and the power of female friendships in the industry. We also go behind the scenes of their new Netflix film, Kinda Pregnant —how Molly first got the script, why Amy and Brianne were drawn to the project, and what it means for women today. Plus, they reflect on their early career struggles, the moment they knew they “made it,” and how motherhood has reshaped their ambitions. From career highs to personal challenges, this episode is raw, funny, and packed with insights. Mentioned in the Episode: Kinda Pregnant Ginny & Georgia Meerkat 30 Rock Last Comic Standing Charlie Sheen Roast Inside Amy Schumer Amy Schumer on the Howard Stern Show Trainwreck Life & Beth Expecting Amy 45RPM Clothing Brand A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us at @sonypodcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices…
The Call Sheet with Kris Tapley
सभी (नहीं) चलाए गए चिह्नित करें ...
Manage series 2584808
Netflix द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Netflix या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal।
THE CALL SHEET with Kris Tapley is a weekly show that dives deep into the craft of your favorite Netflix films and series with some of the most talented artists and artisans in the game.
…
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11 एपिसोडस
सभी (नहीं) चलाए गए चिह्नित करें ...
Manage series 2584808
Netflix द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Netflix या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal।
THE CALL SHEET with Kris Tapley is a weekly show that dives deep into the craft of your favorite Netflix films and series with some of the most talented artists and artisans in the game.
…
continue reading
11 एपिसोडस
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The Call Sheet with Kris Tapley
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Filmmaker Gina Prince-Bythewood brings a delicate but assured touch to everything she’s involved in, whether on the big screen with films like “Love & Basketball” and “Beyond the Lights,” or in the world of television with projects like the riveting limited series “Shots Fired.” Her latest film, Netflix’s “The Old Guard,” is no exception as the award-winning filmmaker fuses the superhero genre with an uncharacteristic tenderness in an adaptation of the Greg Rucka comic books series. In this week’s season premiere of “The Call Sheet,” Prince-Bythewood will take you through the new film’s production from beginning to end. She’ll discuss visual choices and editorial and music decisions, and she’ll contextualize the project within the overall framework of her career -- or, as you’ll soon hear her describe it, her fairytale. (Reminder: It’s recommended you watch “The Old Guard” before digging into this conversation!)…
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The Call Sheet with Kris Tapley
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1 Thelma Schoonmaker, Tom Fleischman & Eugene Gearty 58:21
58:21
बाद में चलाएं
बाद में चलाएं
सूचियाँ
पसंद
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The Call Sheet with Kris Tapley
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The Call Sheet with Kris Tapley
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The Call Sheet with Kris Tapley
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The Call Sheet with Kris Tapley
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Rodrigo Prieto is the Oscar-nominated cinematographer behind films such as “25th Hour,” “Brokeback Mountain” and “Argo.” In recent years he has worked with filmmaker Martin Scorsese on projects like “The Wolf of Wall Street” and “Silence.” This year they have “The Irishman,” which, on a technical level, was an absolute beast to tackle. On this episode of “The Call Sheet” you’ll learn about the R&D that went into developing a proprietary camera rig to allow visual effects artists to “de-age” the film’s stars to play through a series of decades. Prieto also discusses his game plan for visually representing the three distinct time periods of this mammoth 3-and-a-half hour opus.…
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The Call Sheet with Kris Tapley
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The Call Sheet with Kris Tapley
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The Call Sheet with Kris Tapley
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Emmy Award-winning composer, Nicholas Britell, is enjoying a moment right now. The Oscar-nominated talent behind the scores of films like “Moonlight,” “If Beale Street Could Talk” and “Vice” and television series like “Succession” is as in-demand as they come, an artist who approaches film music composition in incredibly original ways, with some of our greatest contemporary filmmakers lining up to collaborate with him. For Netflix, Britell is behind the haunting, eerily timeless melodies of David Michod’s “The King,” a story taken in part from William Shakespeare’s “Henriad” series of plays and focused on the rise of King Henry V. Like all of Britell’s work, the score is a piece of its own within the film, the music seemingly sprouting from the very tones and atmospheres rendered by Michod and his team behind the camera. In this week’s episode of “The Call Sheet,” Britell dives into his love of hip hop, his use of unconventional instruments for the score of “The King," and the importance of trusting your instincts.…
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The Call Sheet with Kris Tapley
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1 Fernando Meirelles and Mark Tildesley 35:22
35:22
बाद में चलाएं
बाद में चलाएं
सूचियाँ
पसंद
पसंद35:22
Fernando Meirelles is the Academy Award-nominated director of films like “City of God,” “The Constant Gardener,” and “Blindness,” among many others. His mixture of authenticity and flash made him a fascinating match for “The Two Popes,” his latest film starring Anthony Hopkins and Jonathan Pryce. Centered on the 2013 exchange of power at the top of the Catholic Church, the film is also a story about the ongoing struggle between ideas. Beyond the text, however, the film was a considerable practical challenge because the bulk of the drama takes place within the hallowed halls of the Sistine Chapel. Production Designer Mark Tildesley and his team had their work cut out for them as filming at the famed sanctuary was out of the question. Learn the secrets of how the design team built the interiors, reproduced Michelangelo's famed frescos and more on this week’s episode of “The Call Sheet.”…
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The Call Sheet with Kris Tapley
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Filmmaker Ava DuVernay has dissected and interrogated the criminal justice system with her work a number of times now, from her 2012 Sundance hit "Middle of Nowhere" to the Oscar-nominated documentary "13th." Her latest work, Netflix's limited series "When They See Us" — centered on the Central Park Five — is a natural step in this progression. It takes the domestic and legal elements of those films and meshes them into a definitive five-hour portrait of miscarried justice and its spider-web effects. The honing and shaping of these projects in the editing room has been vital to their success. DuVernay has been accompanied on each by editor and co-producer Spencer Averick, who joins her on this premiere episode of "The Call Sheet" to discuss their 10-year collaboration, how they landed on the engaging structure of "When They See Us" and what was required to put viewers inside the very headspace of five boys who had their collective innocence shattered 30 years ago. It’s highly recommended you watch “When They See Us” before listening to this episode, as this is a deep dive and there are spoilers.…
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