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Le Salon Literary Discussions द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Le Salon Literary Discussions या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal
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S3:E2 | Shakespeare’s England—The Elizabethan and Jacobean Eras

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Manage episode 407329245 series 3559468
Le Salon Literary Discussions द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Le Salon Literary Discussions या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal

One of the ways to better understand Shakespeare’s plays is to look at the historical context he was writing in. In this episode, I’ll share how he wrote and performed for two different monarchs: Elizabeth I and James I (of England). Keep in mind that this was still a time when depending how a play was interpreted, performances could easily have been seen as treasonous. So, Shakespeare actually had to have a honed political antenna.

We’ll look closer at how real-life events—including witchcraft, gunpowder, treason, and plot—made their way into Shakespeare’s plays.

[4:18] “It is said that Elizabeth knew Shakespeare’s work quite well, enough to make requests of what was performed… and even ask for certain characters to have more stage time.”

[13:42] “So, in a way, Shakespeare’s play was also a piece of propaganda. Or was it simply a playwright who had to continue to make money and entertain a monarch with their own agenda?”

[18:09] “What is kind of eerie about the Gunpowder Plot, and I give full credit to James Shapiro for highlighting this for me (and now you), is that King James and parliament knew about the plot through an anonymous letter. Very similar to how King Lear begins.”

More resources for you:

  continue reading

25 एपिसोडस

Artwork
iconसाझा करें
 
Manage episode 407329245 series 3559468
Le Salon Literary Discussions द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Le Salon Literary Discussions या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal

One of the ways to better understand Shakespeare’s plays is to look at the historical context he was writing in. In this episode, I’ll share how he wrote and performed for two different monarchs: Elizabeth I and James I (of England). Keep in mind that this was still a time when depending how a play was interpreted, performances could easily have been seen as treasonous. So, Shakespeare actually had to have a honed political antenna.

We’ll look closer at how real-life events—including witchcraft, gunpowder, treason, and plot—made their way into Shakespeare’s plays.

[4:18] “It is said that Elizabeth knew Shakespeare’s work quite well, enough to make requests of what was performed… and even ask for certain characters to have more stage time.”

[13:42] “So, in a way, Shakespeare’s play was also a piece of propaganda. Or was it simply a playwright who had to continue to make money and entertain a monarch with their own agenda?”

[18:09] “What is kind of eerie about the Gunpowder Plot, and I give full credit to James Shapiro for highlighting this for me (and now you), is that King James and parliament knew about the plot through an anonymous letter. Very similar to how King Lear begins.”

More resources for you:

  continue reading

25 एपिसोडस

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