In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Minnesota Public Radio News and Minnesota Public Radio द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Minnesota Public Radio News and Minnesota Public Radio या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal।
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Cube Critics discuss ‘Borderlands’ and ‘A Quiet Place: Day One’
MP3•एपिसोड होम
Manage episode 434546437 series 1319307
Minnesota Public Radio News and Minnesota Public Radio द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Minnesota Public Radio News and Minnesota Public Radio या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal।
Cube Critics Jacob Aloi and Max Sparber discuss a mediocre adaptation of a video game and a horror film about aliens who don’t like city noises. They’re just like Max!
Click here.
‘Borderlands’
“Borderlands,” adapted from the popular dystopian video game series, transitions to the big screen with mixed results. Cate Blanchett stars as Lilith, delivering a standout performance that showcases her formidable presence and action chops.
Blanchett’s portrayal is a high point in the film, offering a refreshing look at a woman over 40 leading a science fiction fantasy narrative.
However, beyond Blanchett’s performance, “Borderlands” suffers from a lackluster execution that doesn’t capture the essence or the appeal of its video game origin. The plot meanders through a clichéd storyline involving treasure hunters, a malevolent trillionaire and the race to secure a powerful artifact. The visuals are loud and the dialogue often falls flat, exacerbated by poorly executed ADR.
Fans of the video game series and newcomers alike have expressed disappointment. The film lands in the realm of mediocrity, unable to deliver the thrilling or coherent adventure fans might have hoped for.
— Jacob Aloi
‘A Quiet Place: Day One’
“A Quiet Place: Day One” is the third installment in the series about an alien invasion where making any noise can be deadly — a terrifying scenario for anyone prone to sneezing loudly, like me.
Unlike “Inside Llewyn Davis,” where the protagonist spends the entire film unsuccessfully searching for a lost cat, in “Day One,” Lupita Nyong’o’s character experiences the opposite: her cat keeps reappearing. Much to the relief of animal lovers, the cat survives the ordeal unscathed.
Directed by the filmmaker behind “Pig,” known for its less fortunate tale of a truffle farmer and his pig, “Day One” is structured as a B-movie but elevates the format with an A-list cast and an independent director. This creates a distinctive vibe that blends mainstream appeal with indie sensibilities.
While the monsters didn’t scare me — a simple contraption involving a boombox and a bug zapper could solve the problem — the film excels in crafting sustained suspense sequences.
— Max Sparber
90 एपिसोडस
MP3•एपिसोड होम
Manage episode 434546437 series 1319307
Minnesota Public Radio News and Minnesota Public Radio द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Minnesota Public Radio News and Minnesota Public Radio या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal।
Cube Critics Jacob Aloi and Max Sparber discuss a mediocre adaptation of a video game and a horror film about aliens who don’t like city noises. They’re just like Max!
Click here.
‘Borderlands’
“Borderlands,” adapted from the popular dystopian video game series, transitions to the big screen with mixed results. Cate Blanchett stars as Lilith, delivering a standout performance that showcases her formidable presence and action chops.
Blanchett’s portrayal is a high point in the film, offering a refreshing look at a woman over 40 leading a science fiction fantasy narrative.
However, beyond Blanchett’s performance, “Borderlands” suffers from a lackluster execution that doesn’t capture the essence or the appeal of its video game origin. The plot meanders through a clichéd storyline involving treasure hunters, a malevolent trillionaire and the race to secure a powerful artifact. The visuals are loud and the dialogue often falls flat, exacerbated by poorly executed ADR.
Fans of the video game series and newcomers alike have expressed disappointment. The film lands in the realm of mediocrity, unable to deliver the thrilling or coherent adventure fans might have hoped for.
— Jacob Aloi
‘A Quiet Place: Day One’
“A Quiet Place: Day One” is the third installment in the series about an alien invasion where making any noise can be deadly — a terrifying scenario for anyone prone to sneezing loudly, like me.
Unlike “Inside Llewyn Davis,” where the protagonist spends the entire film unsuccessfully searching for a lost cat, in “Day One,” Lupita Nyong’o’s character experiences the opposite: her cat keeps reappearing. Much to the relief of animal lovers, the cat survives the ordeal unscathed.
Directed by the filmmaker behind “Pig,” known for its less fortunate tale of a truffle farmer and his pig, “Day One” is structured as a B-movie but elevates the format with an A-list cast and an independent director. This creates a distinctive vibe that blends mainstream appeal with indie sensibilities.
While the monsters didn’t scare me — a simple contraption involving a boombox and a bug zapper could solve the problem — the film excels in crafting sustained suspense sequences.
— Max Sparber
90 एपिसोडस
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