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Paris Institute for Critical Thinking द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Paris Institute for Critical Thinking या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal
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PICT Faculty Lectures VI Subversive Selves Women Artists’ Nude Self - Portraits One Century Ago

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Manage episode 303472997 series 2988525
Paris Institute for Critical Thinking द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Paris Institute for Critical Thinking या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal
The PICT Faculty Lectures series staged its sixth event on Tuesday, February 4, 2020. In front of a full house, PICT visiting faculty member Lauren Jimerson spoke on “Subversive Selves: Women Artists’ Nude Self-Portraits One Century Ago.” The lecture offered an assessment of three pioneering female artists who tackled the nude self-portrait: Suzanne Valadon (1865-1938), Émilie Charmy (1878-1974), and Marie Vassilieff (1884-1957). Jimerson introduced her audience to the historical context, drawing attention to the social and cultural obstacles faced by female artists. She also offered a technical appraisal of particular artworks, highlighting their creators’ artistic contributions in terms of material and technique. Finally, Jimerson’s analysis included a theoretical evaluation connecting the artists’ œuvres with the work of thinkers such as Simone de Beauvoir and Luce Irigaray. Throughout the talk, Jimerson alerted the audience to the originality, difficulty, and influence of the artists’ work. With no female precedent to emulate, Valadon, Charmy, and Vassilieff were compelled to develop highly original forms of artistic expression. With little support from their families or milieus, they often suffered hardship and were unable or disinclined to publicly exhibit some of their most striking work. And but for the effort of scholars such as Jimerson herself, large parts of their œuvre remain inaccessible to the public. Indeed, one of the talk’s main contributions was the introduction of specific artworks that remain unexhibited to this day.
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72 एपिसोडस

Artwork
iconसाझा करें
 
Manage episode 303472997 series 2988525
Paris Institute for Critical Thinking द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Paris Institute for Critical Thinking या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal
The PICT Faculty Lectures series staged its sixth event on Tuesday, February 4, 2020. In front of a full house, PICT visiting faculty member Lauren Jimerson spoke on “Subversive Selves: Women Artists’ Nude Self-Portraits One Century Ago.” The lecture offered an assessment of three pioneering female artists who tackled the nude self-portrait: Suzanne Valadon (1865-1938), Émilie Charmy (1878-1974), and Marie Vassilieff (1884-1957). Jimerson introduced her audience to the historical context, drawing attention to the social and cultural obstacles faced by female artists. She also offered a technical appraisal of particular artworks, highlighting their creators’ artistic contributions in terms of material and technique. Finally, Jimerson’s analysis included a theoretical evaluation connecting the artists’ œuvres with the work of thinkers such as Simone de Beauvoir and Luce Irigaray. Throughout the talk, Jimerson alerted the audience to the originality, difficulty, and influence of the artists’ work. With no female precedent to emulate, Valadon, Charmy, and Vassilieff were compelled to develop highly original forms of artistic expression. With little support from their families or milieus, they often suffered hardship and were unable or disinclined to publicly exhibit some of their most striking work. And but for the effort of scholars such as Jimerson herself, large parts of their œuvre remain inaccessible to the public. Indeed, one of the talk’s main contributions was the introduction of specific artworks that remain unexhibited to this day.
  continue reading

72 एपिसोडस

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