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S1xEp11: Colourism in Indian Cinema
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Parde Ke Peeche द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Parde Ke Peeche या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal।
With the on-going Black Lives Matter protests erupting in America and across the world, an interesting response took place in Bollywood. While many of the stalwarts of Indian cinema showcased their solidarity with the protests, many fans were quick to highlight the hypocrisy underlying their support. Due to many of these film stars either promoting fair-skin products, or performing in roles with heavy brownface or blackface makeup, their solidarity was questioned, and the conversation regarding the role of skin-colour & race in Indian cinema, once again, came to the forefront.
Hosts Raeesa Farooqi and Ankur Desai look at various examples of brownface and blackface in Indian cinema, and explore the intersection of colourism, casteism, and classism in Indian society at large.
Films Mentioned:
Bala (dir. Amar Kaushik, 2019)
Super 30 (dir. Vikas Bahl, 2019)
Gully Boy (dir. Zoya Akhtar, 2019)
Udta Punjab (dir. Abhishek Caubey, 2016)
Hadh Kar Di Aapne (dir. Manoj Agrawal, 2000)
Fashion (dir. Madhur Bhandarkar, 2008)
Sudani from Nigeria (dir. Zakariya Mohammed, 2018)
Kumblangi Nights (dir. Madhu C. Narayanan, 2019)
Song Clip:
Chura Ke Dil Mera (from the film Main Khiladi Tu Anari)
27 एपिसोडस
साझा करें
