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073 - Judas Priest - Turbo (1986) (with Ryan Davison)
Manage episode 306401228 series 2909444
Zero Science द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Zero Science या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal।
For the first decade of their career, Judas Priest was best known as a prototypical innovator of the then fledgling genre of heavy metal, heralded as pioneers by those in the scene, but largely unknown to wider audiences. That all changed by the 1980s, when the band shot to major commercial success on the backs of songs like "You've Got Another Thing Comin'", "Breaking The Law", and "Living After Midnight." Over time the band would go down in metal history as one of the all-time greatest, with a legacy of millions of records sold.
This legacy was not always secure however; after the comparatively lesser success of their 1984 record Defenders Of The Faith, the band decided they needed to lean in a more commercial direction. Taking cues from the popular if widely mocked glam metal movement of the era, Judas Priest traded their humble New Wave of British Metal sound in for one decked out with synths, drum machines, and more simplistic songs about partying and romance. This record was 1986's Turbo, which while not a commercial flop disappeared from the charts as quickly as it arrived, while leaving a sour taste in the mouths of their fanbase.
On a new episode of Jukebox Zeroes, Lilz and Patrick are joined by Ryan Davison of Froggy & The Friendship (The composer of our theme music!) and Judas Priest mega-fan. Join the three of them as they dig into Turbo and decide for themselves whether it was deserving of the scorn it received from 80s metalheads.
#WeAreNormalNow
#RobHalfordTheCrow
Local Music Feature: Froggy & The Friendship - "Fake It"
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This legacy was not always secure however; after the comparatively lesser success of their 1984 record Defenders Of The Faith, the band decided they needed to lean in a more commercial direction. Taking cues from the popular if widely mocked glam metal movement of the era, Judas Priest traded their humble New Wave of British Metal sound in for one decked out with synths, drum machines, and more simplistic songs about partying and romance. This record was 1986's Turbo, which while not a commercial flop disappeared from the charts as quickly as it arrived, while leaving a sour taste in the mouths of their fanbase.
On a new episode of Jukebox Zeroes, Lilz and Patrick are joined by Ryan Davison of Froggy & The Friendship (The composer of our theme music!) and Judas Priest mega-fan. Join the three of them as they dig into Turbo and decide for themselves whether it was deserving of the scorn it received from 80s metalheads.
#WeAreNormalNow
#RobHalfordTheCrow
Local Music Feature: Froggy & The Friendship - "Fake It"
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