Out of the Darkness: The Germans 1942 to 2022 with FRANK TRENTMANN

BOOKS WRITERS - The Creative Process & One Planet Podcast

What can we learn from Germany's postwar transformation to help us address today's environmental and humanitarian crises? With the rise of populism, authoritarianism, and digital propaganda, how can history provide insights into the challenges of modern democracy?

Frank Trentmann is a Professor of History at Birkbeck, University of London, and at the University of Helsinki. He is a prize-winning historian, having received awards such as the Whitfield Prize, Austrian Wissenschaftsbuch/Science Book Prize, Humboldt Prize for Research, and the 2023 Bochum Historians' Award. He has also been named a Moore Scholar at Caltech. He is the author of Empire of Things and Free Trade Nation. His latest book is Out of the Darkness: The Germans 1942 to 2022, which explores Germany's transformation after the Second World War.

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THE CREATIVE PROCESS · ONE PLANET PODCAST

Up until now, you've been mostly a professor of global consumer culture, but you've notably written Empire of Things: How We Became a World of Consumers, from the Fifteenth Century to the Twenty-First. More recently, you've taken what some might think of as a swerve to examine the complexities of the moral remaking of Germany and how its people grappled with questions of guilt and identity in Out of the Darkness: The Germans, 1942-2022. How did Out of the Darkness grow out of some of those ideas you'd reflected on in previous books? It's a very interesting span of history you take in, focusing on what you call the “awakening of conscience” in Germany. Other historians might choose 1945 as the period when it began to emerge out of darkness, but you chose 1942.

FRANK TRENTMANN

The bridge between Out of the Darkness and my previous work, which looked at the transformation of consumer culture in the world, is morality. One thing that became clear in writing Empire of Things was that there's virtually no time or place in history where consumption isn't heavily moralized. Our lifestyle is treated as a mirror of our virtue and sins. And in the course of modern history, there's been a remarkable moral shift in the way that consumption used to be seen as something that led you astray or undermined authority, status, gender roles, and wasted money, to a source of growth, a source of self, fashioning the way we create our own identity. In the last few years, the environmental crisis has led to new questions about whether consumption is good or bad. And in 2015, during the refugee crisis when Germany took in almost a million refugees, morality became a very powerful way in which Germans talked about themselves as humanitarian world champions, as one politician called it. I realized that there's many other topics from family, work, to saving the environment, and of course, with regard to the German responsibility for the Holocaust and the war of extermination where German public discourse is heavily moralistic, so I became interested in charting that historical process.

And why did I start in the middle of the Second World War? The reason for that is that 1945 in Europe isn't really in a proper sense a sharp break. The German people enter peace with a number of preoccupations, values, fears, assumptions which have been created in the course of the Second World War. And there's a big moral turmoil that is spreading, beginning in the winter of 1942, 1943, the time period we now call the Holocaust. A growing number of Germans started asking themselves troubling questions about their own possible responsibility for the plight that they were now being exposed to. So I choose this as an opening partly because it allows the reader to get into the heads of Germans at the time who don't know yet that the war is lost.

THE CREATIVE PROCESS · ONE PLANET PODCAST

It's a powerful entry point that helps us understand. Of course from there you bring us all the way up to 2022. And when you talk about family in your book, it's kind of an expansive sense of family, like being part of this greater Mother Earth or the acts of compassion towards refugees, but I was surprised to read, as you cite, that over 50 percent of the population in Germany have been helping refugees in a quite hands-on in a way that I don't think you would see in other countries. So whatever the legacy of guilt or shame, which is so complex, the post-war transformation has been remarkable in that way. And yet, it's complicated. Do you feel Germany has come to terms with its past and moved on? We see now the rise of right-wing groups throughout Europe, the entry of the far-right Alternative for Germany into Parliament in 2017, and, of course, more recently, the wake of unrest in England and Northern Ireland with anti-immigration protests. So, this is not an old narrative. Its roots are buried deep, but they sprout up shoots every so often.

TRENTMANN

Yes, it's not a finished story. You have, in addition to the truly impressive number who were welcoming refugees or helping them in active ways, a sizable minority that does not want to have refugees that are openly skeptical or even hostile, sometimes violently, towards migrants or asylum seekers. You have a rise of populism that is disproportionately high in East Germany, the former communist GDR. Germany was divided and then reunified, so it continues to have serious regional divides up to the present. The first difference the partition of Germany left behind is memory culture. The West German state in 1949 saw itself constitutionally as the rightful successor of the German empire before it, and that included taking on responsibility for debts accumulated, so the Federal Republic introduced major reparations for Jewish victims of the Holocaust. East Germany was radically different. In their minds, they were a radically new state with no obligations towards all the evil that Nazi Germany had committed in the past, so East Germany paid no reparations or compensation to Jews. So when 1990 happened, and the two parts reunified. We have a lack of coherence in collective memory, which remains present to this day. I think there was a certain naivety in many German circles, which assumed that the moment you have an official memory culture, in which the responsibility for the Holocaust is a central source of what it means to be German, problems such as racism will just go away. So many commentators and politicians were deeply confused last autumn after the Hamas attacks on Israel on the 7th of October, when suddenly, you had more or less complete silence in the German population, no show of empathy, no mass demonstrations, a steep rise of anti-semitic attacks. And I think that commemoration, public memory, and public history are all very good and important but do not automatically translate into everyday life and people's attitudes towards German Jews in their midst or towards foreigners.And I think that was the mistake—the belief that once you reform collective memory and draw attention and remember the terrible things previous German generations had done, in the present, people living in Germany would all become wonderfully tolerant people. It's not that simple.

THE CREATIVE PROCESS · ONE PLANET PODCAST

Indeed, you can, with the benefit of hindsight, reform collective memory. But when these moral questions arise in real time and current events are just happening too quickly, we don't always see it. I was wondering if you could talk to us a bit more about Neo-Nazism in Germany and the significance of this strand of Neo-Naziism, given Germany's legacy and history. Additionally, your book discusses how Germany became a major supporter of Israel. Do you think that Germany's past has affected its present-day stance on Israel's actions in Gaza? And do you believe that Germany's history has impacted how Germany has treated people protesting Israel's actions? Have any of these more recent events caused you to reconsider or reflect on any of the conclusions you came to in Out of the Darkness?

TRENTMANN

The populist party Alternative for Germany includes some spokespeople and members who have been, by the courts, defined as having fascist leanings. That doesn't mean all populists are Nazis, but Neo-Nazis exist, and they need to be taken seriously. Where do they come from? For a long time, historians and politicians worked with this assumption that since West Germany confronted the past, people woke up and right-wing Neo-Nazi leanings were becoming extinguished, so if you look at older accounts regarding extremists that endanger the Federal Republic, they tended to be written about the left, such as the Baader Meinhof group or the Red Army Faction. But since the resurgence of Neo-Nazi and right-wing attacks on foreigners, asylum seekers, shootings, murder, and so forth, people have revisited the 1970s and 1980s and come to recognize that current fascist groups didn’t come out of nowhere. There were army sort of paramilitary groups in the 1970s and 1980s; a neo-Nazi party, which was founded in the late 60s, and did fairly well in some local elections; Neo-Nazi activists have existed for some time; and a lot of people who have now moved to the populist groups, used to vote for the Christian Democrats which had right-wing values and attitudes. On Israel and Germany, what we've seen is a very robust and persistent attitude by the German government which is firmly standing side by side with Israel, with policies very careful not to issue any criticism of Israeli military strategies. And on the other hand, a majority of the population is either openly critical of the measures and military actions used or thinks Germany should just turn its back on the Middle East and live without concerning themselves too much with international affairs, so Germany is really divided on the question of what to do in the conflict in the Middle East.

THE CREATIVE PROCESS · ONE PLANET PODCAST

Yes. And going back to your previous book Empire of Things, you cover how we became a world of consumers and the rise of our material world, examining the global challenges and our relentless pursuit of more from waste and debt to stress and inequality. It just leads me to ask what you feel about the real price of our consumer culture habits, which actually I feel helps fuel modern slavery.

TRENTMANN

Consumption is a tricky business. We've moved ourselves into a situation where on the one hand, we now recognize that possessions are an important source of identity. Most of us believe people should have the right to choose the kind of lifestyle they want to have; on the other hand, we have the environmental costs of that lifestyle, which is causing havoc with our planet and, ultimately, with our lives. And so we're caught in a social-political acceptance of the freedom to choose and a growing awareness that the world is heading towards environmental disaster and taking us down with it. We haven't found a way of resolving that ambivalence. Climate activists, economists, and so forth have come up with solutions from zero growth to simple living, but as a historian who's followed the rise of and transformation of consumption over 600 years, I can assure you that it's too simple to try and demonize consumption and hope that by just drawing attention to environmental problems, people will somehow reform themselves. I think we have to take seriously that in the course of modernity, consumption has become deeply embedded culturally, socially, politically in our lives.Just waving an alarmist poster will not shock us out of the kind of lifestyle that has become normal for us. People tend to equate consumption with individual choice and motivation or desire. But from an environmental point of view, a huge amount of our hyper-consumption lifestyle is not organized or conducted through individual choice. They're social habits. These days, people have a shower as a matter of habit. Some people have two or three showers a day. And then they get to their leisure activities or their work with a car if they have one. They're used to driving, and that's a habit. So lots of things that cause damage are habitual forms of consumption. Those are not driven by individual choice but because our cities have been planned in a particular way—state and other authorities have built highways, car manufacturers get certain subsidies. There's an infrastructure of gas stations and electric charging points. And so if you want to tackle environmental consequences, perhaps a more effective way would be to intervene, try to disrupt those habits and plan cities and mobility in different ways that are environmentally friendlier.

THE CREATIVE PROCESS · ONE PLANET PODCAST

Indeed, that illusion of choice is so interesting. Of course, you point to the fact that we, as individuals, do not always make the best choices. I mean, we do sometimes need to be guided or sometimes regarded in ways that are not always good for the welfare of us individually or for the planet. And when we think about AI, which is becoming a new mass surveillance system, it's a new Great Game for powerful multinationals to embed their products and systems and influence our choices. So it's something we have to reflect on a lot. Even if we feel like we have that illusion of choice, who's really making the choices?

TRENTMANN

Yes. When I finished the book in 2016, artificial intelligence already existed, but wasn't much of a topic. The jury is still out on how AI will play out. Some people pin their hope on AI to give straggling Western economies a huge productivity boost they would urgently need. And that point leads back very well to what we talked about earlier with populism. One thing we've seen, and Germany is a good test case for that, is how democratic habits and understandings we've built up from a different era do not necessarily work for generations that are more reliant on social media where there could be outside manipulation, whether by autocracies or AI. What you really need among education reformers is a new democratic skill set and communication tools that teach young students and citizens how to evaluate information, distinguish between fake news and what's not fake news, to be on their guard, and develop critical media and consumption skills that are fit for our much more digital world. There's a lot that needs to be done. In Germany, you have debates and worries about interference with elections or the posting of fake news, and Germany is a country where lots of people don't use digital communication at all. So you have a dual shock on the one hand, being well behind with digital culture and digital communication. On the other hand, a rapidly evolving technological scene generates more fake news and more potential for surveillance.

THE CREATIVE PROCESS · ONE PLANET PODCAST

Yes, that’s interesting, and it makes me think again about East and West Germany. And seeing your involvement with museums, I wonder, what are your reflections on the importance of the arts and the humanities, and how do you feel museums can stay relevant and do a better job of expanding access while meeting community needs? And finally, as you think about the future and make sense of history in order to create a better tomorrow, what would you like young people to know, preserve, and remember?

TRENTMANN

Museums have seen funds being cut, so they had to be innovative, not just in terms of finding sponsorship money, but in how to make their collections more attractive to more people. Going back to New Labor in Britain, museums and other cultural institutions were tasked to become more socially engaged and open to groups normally underrepresented, so they've done, I would say, a pretty good job, given the constraints of Brexit, where before Brexit, British museums would often work together with other museums in the EU, but now, that’s a serious challenge because of visa rules and objects needing to be specially arranged. So even though we've seen a certain regionalism or growing provincialism, and that's very sad. I think museums continue to be very important. And well, I would like young people to resist the stories they hear from school teachers or career advisors, or sometimes even from their own parents, especially if they're being urged to move into particular subjects in engineering or the natural sciences. I think history is tremendously important. All the contemporary topics we’ve talked about—environmental crisis, Gaza, the war in Ukraine—all of those don't make sense if you don't have a sense of history. History and the humanities in the United Kingdom, as in the United States, have come under huge pressure. We've seen falling student numbers, and that's a real shame because history continues to be a source of intellectual inspiration and curiosity that not only makes us wiser and more reflective but also creates the dynamism and creativity we need to confront our present and future challenges. I hope that among the young generations, there will be people inspired by history, people that have the ambition to research and write about the past.

Photo credit: Jon Wilson

This interview was conducted by Mia Funk and Eva Sanborn with the participation of collaborating universities and students. Associate Interviews Producers on this episode were Sophie Garnier and Eva Sanborn. One Planet Podcast & The Creative Process is produced by Mia Funk. Associate Text Editor was Nadia Lam. Additional production support by Katie Foster.

Mia Funk is an artist, interviewer and founder of The Creative Process & One Planet Podcast (Conversations about Climate Change & Environmental Solutions).
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