Returning to a literary career after a decade of exile, Fyodor Dostoevsky confronted one of the great delusions of secular humanism: that man is ultimately a rational being whose happiness depends on the exercise of self-interest. Characters in his novels The Idiot and Demons were designed to demonstrate that nihilistic self-destruction is the only…

In this summary of the second chapter of his book, The Age of Nihilism, Fr. John discusses the early life and faith and incarceration of Russia's great novelist Fyodor Dostoevsky. Unlike his contemporaries--particularly Nietzsche--the novelist found in traditional Christianity the only hope for a Christendom living under the terrible specter of nih…

In this final presentation on the nihilistic philosophy of Nietzsche, Fr. John considers the philosopher's final work, an autobiography entitled Ecce Homo. The book's strange title is discussed in light of Nietzsche's claim to be the West's alternative to Christ. The episode ends with a spiritual and psychological reflection on why, having complete…

In his continued account of Friedrich Nietzsche, Fr. John discusses the megalomaniac philosopher's effort to replace the Gospel with an atheistic "transvaluation of all values."द्वारा Fr. John Strickland

Friedrich Nietzsche is in many ways the father of modern nihilism. In this episode, Fr. John describes the philosopher's relationship to the atheism of contemporary utopian Christendom, and how the music of Richard Wagner played a role in leading him toward nihilism. As with previous episodes, this one introduces the listener to some music that is …

In this episode, Fr. John begins an account of Friedrich Nietzsche by discussing Richard Wagner, a direct influence on the philosopher whose infidelity with women and famous operatic work, The Ring of the Nibelung, helped inspire the coming age of nihilism.द्वारा Fr. John Strickland

In this podcast my good friends Francis and Julia Creighton discuss their insights into the Santa Fe Opera The Flying Dutchman., which they saw this past summer. Francis and Julia discuss the production, as well as the incredible theater, one of the unique places in the world to hear opera.द्वारा Vincent Vargas

This summer the Bayreuth Festival will present a new production of PARSIFAL that will use Augmented Reality glasses. It promises to be a landmark production in the history of Bayreuth.द्वारा Vincent Vargas

In this introduction to the final part of Paradise and Utopia, Fr. John reads the prologue to his recently released book, The Age of Nihilism: Christendom from the Great War to the Culture Wars. The episode introduces the nihilistic philosopher Friedrich Nietzsche and the role compositions by Richard Wagner played in his formation. Included are mus…

Fr. John Strickland gives an overview of his latest book, The Age of Nihilism, available at Ancient Faith Store: https://store.ancientfaith.com/the-age-of-nihilism-christendom-from-the-great-war-to-the-culture-warsद्वारा Fr. John Strickland

In this podcast I am joined by my good friend, Francis Creighton, as we explore the custom of presenting Wagner at the MET during Spring time, which coincides with the 2023 new production of Lohengrin from the Metropolitan Opera.द्वारा Vincent Vargas

This Lohengrin is one of the great recordings of the 1930's from the Bayreuth Festival. It features Franz Völker and Maria Müller, two of the leading singers of the time, in excerpts from this opera. Many consider Völker to be the greatest Lohengrin of the 20th century.द्वारा Vincent Vargas

In this final episode of part three of the podcast, Fr. John Strickland traces the outcome of secular humanism in the case of the Russian Revolution. Though numerous Orthodox Christians warned of the impending disaster facing a post-Christian Christendom, Vladimir Lenin and his Bolsheviks took advantage of discontent caused by the First World War t…

Fr. John Strickland concludes his account of the origins of modern political ideology with the rise of nationalism, a force that not only proved to be a counterfeit to traditional Christianity, but the cause of one of utopian Christendom's greatest tragedies.द्वारा Fr. John Strickland

Fr. John Strickland continues his account of the rise of secular ideology with a presentation on the Russian intelligentsia and the case of Karl Marx.द्वारा Fr. John Strickland

In this long-delayed episode (due to work on The Age of Nihilism, available at store.ancientfaith.com/the-age-of-nihilism-christendom-from-the-great-war-to-the-culture-wars), Father John presents the historical origins of liberalism as a modern secular ideology. Atheistic philosophers like Auguste Comte and John Stuart Mill provided the philosophic…

Fr. John Strickland announces the release of the third volume of his book series. The Age of Utopia: Christendom from the Renaissance to the Russian Revolution (store.ancientfaith.com/the-age-of-utopia) is a companion to the podcast, but, as he notes, contains quite a bit of material that is unique. Here he summarizes some of its content.…

In this second half of his response to a recent review of his books, Fr. John Strickland discusses his use of scholarly sources (The Age of Division required more than three hundred and fifty of them). He also reflects on how criticisms of his sources and his arguments may have been provoked by the unconventional way in which he tells the story of …

In this special edition of Paradise and Utopia, Fr. John Strickland responds to a recent review of the first two volumes of his book series. In it, he notes the failure to consider the books on their own terms. He uses the opportunity to elaborate what he considers a healthy vision of Christian historiography, one that supports what many consider t…

Most Americans know Tchaikovsky as the composer of the delightful dances contained within the Nutcracker Ballet. As Fr. John Strickland shows, however, there is much more to be heard in their melodies, and little that was delightful about the emotionally agonized life behind them. Using selections from a variety of works, he explores how the romant…

What was the genius of classical music during its nineteenth-century golden age? According to Fr. John Strickland, it was an effort to rescue Christendom's transformational imperative in an age when secularization threatened to sever earth from heaven. No longer influenced by traditional Christianity, great composers like Beethoven exaggerated eart…

The early nineteenth-century romantics pioneered a new way of seeking personal transformation. Following a century in which deism desecrated the world, separating heaven and earth, they wanted to re-enchant the West. But by ignoring traditional Christianity and looking instead to the "God substitutes" of philosophical idealism, they only succeeded …

In this reflection on an emerging post-Christian Christendom, Fr. John Strickland discusses two ways in which eighteenth-century philosophes—from Voltaire to Thomas Jefferson—worked to subvert the paradisiacal culture of the old Christendom. He explores their use of photic imagery such as "enlightenment" and their introduction of the tripartite uto…

In this episode, Fr. John Strickland recounts the efforts of three Italian humanists of the quattrocento ("fourteen hundreds") to rescue the dignity of man from the pessimism of Western culture. Departing from traditional Christianity's dignification of man through communion with God, they looked instead to Neoplatonism and there found a model of t…

In this episode, Father John relates a case in which the early humanist Petrarch confronted one of the new Christendom's chief architects, Pope Innocent III. Applying his newly developed secular thinking, he rejected the pope's notorious treatise entitled On the Misery of the Human Condition.द्वारा Fr. John Strickland

Modern historians often bring attention to the effects of secularization on the West. Once traditional Christianity ceased to influence Western culture, the experience of the kingdom of heaven naturally diminished, something the famous German sociologist Max Weber called the "disenchantment of the world." In this episode, Fr. John describes how the…

In this episode the "father of humanism," Francesco Petrarch, broods over his sense of guilt and despair, seeking a new path for Western Christendom known as the saeculum, or "secular."द्वारा Fr. John Strickland

In this anecdotal introduction to Reflection 21, Father John relates a remarkable but short-lived revolution in fourteenth-century Rome that served as a sign of what the age of utopia would bring. Listeners who enjoy the music of Richard Wagner will recognize the ill-fated revolutionary's name and understand why the turbulent nineteenth-century com…

In the nineteenth century, some Christians in America developed radically new visions of God's relationship to man and the cosmos. This "utopian Christianity" produced Unitarianism, Mormonism, and a string of millenarian sects. Father John Strickland concludes the episode with one of the most daring and disturbing examples of American utopianism, t…

In this episode Fr. John Strickland discusses various ways in which Christendom's leadership rejected the reformational Christianity that had provoked the wars of Western religion and replaced it with science, philosophy, pietistic Christianity, and a new religion known as deism.द्वारा Fr. John Strickland

In this reflection, Fr. John Strickland relates how Christianity ceased to motivate and regulate statecraft in Christendom following the Wars of Western Religion. He discusses the cases of France, England, and New England. He concludes with an account of westernization in Eastern Christendom under Peter the Great of Russia.…

In this reflection, Father John Strickland turns from secular humanism to reformational Christianity to see how Christendom's paradisiacal culture was subverted by both the Protestant "Counter-Reformation" and the Roman Catholic "Neo-Reformation." Ironically, Protestant fathers like Luther and Calvin did much to perpetuate the anthropological pessi…

This is part 2 to last week's special video episode, on the revolution of art during the Italian Renaissance.द्वारा Fr. John Strickland

In this special video episode (the first of two parts), Father John discusses the background to the revolution in art during the Italian Renaissance. Though it produced some of the most stunning and innovative works ever, secular humanism represented a radical departure from the heavenly orientation of traditional Christian art.…

In this, the first episode of the Paradise and Utopia video edition, Father John provides a video lecture from his office in Puget Sound, showing, with the use of powerful, full-color icons such as those of Andrei Rublev, how hesychasm inspired some of the greatest art in the history of eastern Christendom.…

Fr. John discusses the ways in which the Church tries to create a sanctified topography in Christendom.द्वारा Fr. John Strickland

Fr. John discusses the spiritual transformation of time by Christianity.द्वारा Fr. John Strickland

Father John welcomes listeners back to the podcast with the opening to its third part, the age of utopia. He also summarizes some of the main points of his recently released book The Age of Division, which tells the history of Christendom covered in the second part of the podcast.द्वारा Fr. John Strickland

Fr. John Strickland talks about the newly released book The Age of Paradise. The book is available at store.ancientfaith.com.द्वारा Fr. John Strickland

Returning after a long absence from the podcast, Fr. John in this episode introduces a new reflection on the crisis of western Christendom prior to the Reformation by discussing the penitential context of Martin Luther's famous Ninety-Five Theses.द्वारा Fr. John Strickland

In this episode Father John describes some of the most noteworthy effects of the Protestant Reformation on Western Christendom, emphasizing the decline of a sacramental basis for civilization and the rise of a primarily moral one.द्वारा Fr. John Strickland

The Metropolitan Opera is currently presenting Wagner's Ring, and the return of the Robert Lapage controversial production. Last Saturday I attended a performance of Die Walküre, and the mechanical problems that plagued this staging during the first season now seem to be gone.द्वारा Vincent Vargas

Fr. John continues to discuss St. Augustine by looking first at his notorious doctrine of original sin and its impact on the conception of man in the West.द्वारा Fr. John Strickland

Fr. John delineates the various ways in which Constantine contributed to the Christianization of the Roman state.द्वारा Fr. John Strickland

Fr. John concludes his account of the influence of the Franks by returning to the question of the filioque and how the papacy's resistance to its insertion in the Creed finally came to an end on the eve of the Great Schism.द्वारा Fr. John Strickland

It’s that time of the year, when that midsummer classic the Bayreuth Festival begins once again. I will be attending this yearly ritual, and ahead of me will be performances of The Flying Dutchman, Parsifal, Die Meistersinger von Nürnberg, and the new production of Lohengrin, directed by the first American to mount a production at the Green Hill.…

In this podcast, we explore the link between the musical score of Alfred Hitchcock’s masterpiece Vertigo, written by composer Bernard Herrmann, and the music of Richard Wagner’s Tristan und Isolde. The 1959 film, whose themes center on obsession, and the links between love and death, covers similar terrain as Wagner’s opera. As a result, Herrmann’s…

When Parsifal is playing in town at the Metropolitan Opera it is a not-to-be-missed event. Luckily this year, I get to see it twice. My first visit was yesterday at the Saturday matinee. I was joined by my good friends Francis and his wife Julia, as well as my friend Vlad. Francis and I went to Bayreuth last summer, so he is well-seasoned in the wo…

A guidebook to the city of Bayreuth, written at the turn of the century, got me thinking: I wonder what a trip to Bayreuth would have been like in those days. In this video podcast we will take a trip to 1905, and listen to the glorious voices that graced the Festspielhaus during the beginning of the 20th century.…

The Christmas season does not usually bring to mind the music of Richard Wagner, but it should, for on Christmas morning, in the year 1870, Cosima, the composer's wife, woke from her slumbers to a new composition written by her husband to celebrate her 25th of December birthday, and played at their house by her friends. The composition was the Sieg…