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I Don't Need an Acting Class

Milton Justice

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Become a Paid Subscriber: https://podcasters.spotify.com/pod/show/actingclass/subscribe Academy Award winner and celebrated acting teacher Milton Justice invites you into his weekly acting class, based on his years of study with the legendary Stella Adler. I Don’t Need an Acting Class delves deep into the craft of acting, breaks down concepts, tools and techniques, explores endless possibilities and offers you a foundation on which to build a solid, dependable process. Produced by Walker Vre ...
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Welcome to the "Conversations with Alya Lei" podcast; where actor, improviser and audiobook narrator, Alya Lei brings you weekly episodes filled with inspiration and insight. Each episode features captivating guest interviews, valuable resources, and/or uplifting content. Join us as we explore the journeys, challenges, and successes of creatives and entrepreneurs, offering wisdom and motivation to fuel your own path.
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You have to give yourself permission to fail. If you’re too afraid of being bad, you’ll block your creative energy. Like Venessa Redgrave, indulge yourself in all the worst, most cliche choices first. Get them out of your system, and once they are, then go back and really get to work. But most of that work is done at home. Between rehearsals. It’s …
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Mara McCann, the visionary founder of Zhive Media, is at the forefront of shaping the future of the entertainment industry by bridging the gap between film financiers and creative talents. Through Zhive Media, she has established a vibrant membership community and a distribution incubator, empowering writers, directors, and actor/producers to seaml…
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Or we should say: everything must be magical. To YOU. This week’s episode is a lesson in connecting. We hear a student, Grace, go from “reporting” to “experiencing.” A big part of “getting it” is understanding the purpose of talking out. Once you understand what it’s for, then it becomes easier to make a good choice and “go there.” And when that ha…
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WANT MORE? Become a subscriber on Spotify for bonus content! ⁠https://podcasters.spotify.com/pod/show/actingclass/subscribe⁠ Have a question for Milton? Send us a voice note below or email us at: ⁠questionsformilton@gmail.com⁠ Also, check out our website: ⁠www.idontneedanactingclass.com⁠
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Aidan Park, the dynamic founder and CEO of the Yay Foundation, harnesses his talents as an award-winning stand-up comedian and bestselling author to pioneer emotional healing and inner child work. Through his book, "The Art of Being Yay" (The OMG NSFW Memoir and Guide to Authentic Joy), Aidan underscores the significance of joy and authenticity, dr…
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Talking out or improvising text helps us connect to what we’re talking out, sometimes by way of letting us know we are lying. In that sense, talking out is like a lie detector. It’s a way of self-assessing our own work. For example, if we’re bored, that means we’re not bringing ourselves to life, which means we haven’t earned it. Will don’t believe…
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Milton will be teaching a week-long acting workshop at Clap Class in Marseille! The class will be held in English. Must have experience in film, television or theater, and be fluent in English. Monday, November 18th to Friday November 22, 2024; 10 a.m. to 6 p.m. To register: go to clapclass.fr
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Two topics are covered in this episode: our tendency to be disconnected from what you’re talking about, and our tendency to be disconnected from what’s going on with you in the scene. We shy away from being truly connected because it means vulnerability, it means “going there.” Even if you’re talking about something simple or you’re in a moment tha…
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Morgan Deer, now based in Los Angeles, shares a unique and inspiring perspective on her acting journey, rooted in her transition from a career as a news anchor in Humboldt County. Her dedication to the craft is palpable, as she immersed herself in various acting workshops, studios, and improvisation classes, all while living with epilepsy—a conditi…
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Vanessa Haney (pen name: Van Haney) grew up in the new age circus known as the entertainment industry. Van was first published in an anthology of poems in 1997. In the early 2000's she was showcased in young filmmaker competitions for her screenplays, and in 2018 while getting her Master's in Education, while also working as VP of Communications at…
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This week, Milton coaches Chris on a monologue from All My Sons. This episode is both audio and video. You can watch the video version on Spotify. WANT MORE? Become a subscriber on Spotify for bonus content! ⁠https://podcasters.spotify.com/pod/show/actingclass/subscribe⁠ Have a question for Milton? Send us a voice note below or email us at: ⁠questi…
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STEPHANIE BELL, PGA A member of the Producers Guild of America, Stephanie is an Emmy nominated & multi-award-winning producer and line producer with over 25 years experience in film, TV & digital content. Her films (both features and shorts) have screened in over 75 film festivals around the world, garnering more than 50 awards, including 14 for “B…
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This week’s episode calls to mind the Steve Martin quote: “Be so good they can’t ignore you.” You want to make choices that are so inventive that they have no choice but to hire you. WANT MORE? Become a subscriber on Spotify for bonus content! ⁠https://podcasters.spotify.com/pod/show/actingclass/subscribe⁠ Have a question for Milton? Send us a voic…
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In this longer-than-usual episode, Milton coaches the class through Jed’s audition for a TV series in which an out-of-control robot is stealing children. You’ll hear how Milton talks out the entire scene several times. This includes his dialogue, the dialogue of the others in the scene and his response to the others in the scene, as if telling some…
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Achieve acting success anywhere with a strategy from award-winning actress Chrissy Hogue Bartels! Chrissy Hogue Bartels shares her journey as an actor, challenges of being "derailed" from acting and her strategy to be successful as an actor no matter where you live! Chrissy is a multi-award winning actor with a recent Best Supporting Actress Award …
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In this episode, Milton begins talking through The Rainmaker by N. Richard Nash. It’s an example of how we can begin working on a play by ourselves. There is no right way. We can take our initial impressions (whatever hits us first) and wander around with them in a non-performative way. We do this, in large part, to discover what world we’re in, an…
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Arron Lloyd: Actor & Elite Neuroencoding Specialist! How Arron went from growing up in the inner city to being in a commercial for the NFL and an elite neuroencoding specialist sharing stages with Les Brown and Joseph McClendon III!! Arron Lloyd was born in the inner city in a single mother household, Arron has an appreciation for what it takes to …
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Two of Milton’s students are currently starring in an off-Broadway musical, and this week he discusses his recent work with them. He talks about the similarities between the structure of a film and the structure of a musical. In (almost) every scene there is a song, which takes place because the circumstances become so heightened that the only thin…
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This episode gets back to the HUGE topic of using your own life, featuring an in-depth conversation amongst the class. It culminates with the following ideas: even though Stella Adler advised against using your own life and experience because it limits you, it’s impossible to take you out of the work. When you use your imagination instead of search…
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The Actor's Resource podcast is changing!! We are transitioning to this podcast: CONVERSATIONS with Alya Lei. The purpose of the podcast will remain the same: Inspire, Inform, and/or Uplift with guest interviews - the new difference is we are including guests from outside of the entertainment industry, also! Please join me over there! Thank you for…
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Let’s face it: acting is weird. So are actors. The issues we have…the circumstances we find ourselves in are unlike that of anyone else. Some examples: How does one negotiate a love scene? What do you do when you’re on stage and you start focusing on the mole on your fellow actor’s face, pulling you completely out of the moment? Why dating a co-sta…
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Even when you're getting bad direction, or someone in the cast inappropriately gives you notes... Even when you feel like you're the only one who knows what they're doing, it's impossible to overemphasize the importance of being respectful and leaving a positive impression on everyone you work with. There are ways to handle these situations. Some a…
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Milton begins this week’s episode talking about a client whose personal life reflects the circumstances of the character he’s playing. It’s yet another lesson about the actor’s instinct to make a character about us, and it’s especially difficult to resist when we have been through almost the exact same experience. The difference is— our relationshi…
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Milton Plays A Car Mechanic The point of this episode is that, while we always need to work hard to make our work believable and interesting, there are times where you might have to work even harder because of your limited imagination and/or life experience. Such as the example provided in this week’s episode: Milton working on a car. This, in life…
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In this episode, we take a look at the play Loose Ends by Michael Weller. We do so through the lens of realism and the contribution that Ibsen, Strindberg and Chekov made to the modern theater. It’s an unusually long episode, but listening to Milton lecture on and analyze the time period of this play is an example of where script analyses can begin…
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Whether it’s stage or screen, you have to be able to analyze the text to figure out what world you’re in, what’s going on with your character and how you fit into the bigger picture. This way, you can come up with a choice that gives you something, moves you, makes you excited. So that by the time you *say it,* you’ve earned it. WANT MORE? Become a…
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This week, Milton explores a few of the ways we can gain insight into character. We can observe a stranger on the street and then, using a specific character trait, improvise a monologue as that person. We can also examine the events that contribute to a person’s identity. The crucial lesson here is that we never stop searching, never stop digging …
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We begin our 7th season with a call to save acting. Together, we can do it! One of the biggest elements that is missing in acting today is understanding the idea behind the play (or whatever it is that we’re doing) and understanding the size of it. Because of the work we do as actors, we get insight into truths about the human experience that we ge…
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In life, we usually don't relive a painful experience when we're talking about it. That doesn't mean it doesn't affect us. It's just that we're not actively trying to "go there." In fact, usually we resist going there with all of our being. The same should be true when we're acting. We must build the character's past, but that doesn't mean our acti…
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Season finale! The problem with trying to learn acting in a linear way is that no creative art is linear. You can’t fit a lifelong craft into one box or one book. Therefore, there is no one secret, or one method, or one idea that will save you. We have to be able to take on board the fact that acting is multifaceted. It is not about right or wrong,…
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In this episode, Milton shares an example of what it means to trust your creative impulses. This means allowing yourself the freedom to wander around until you find a connection to what you're talking about. Although you may know where you're going, you don't necessarily know how you're going to get there, or what choice you're going to discover th…
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“I’m so sick of Mark Ruffalo. Whatever that is, I’m so sick of it. I am so sick of him that literally there was a part of me that was flirting with disaster.” On the heels of his Academy Award nominated performance in the film Poor Things, Mark Ruffalo joined his former acting teacher and coach Milton Justice on the podcast I Don't Need an Acting C…
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“I’m so sick of Mark Ruffalo. Whatever that is, I’m so sick of it. I am so sick of him that literally there was a part of me that was flirting with disaster.” On the heels of his Academy Award nominated performance in the film Poor Things, Mark Ruffalo joined his former acting teacher and coach Milton Justice on the podcast I Don't Need an Acting C…
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This week’s episode is based on a question we received about adding your own circumstances in order to increase the stakes, or help you connect. Here’s the question in its entirely: Is it acceptable to add your own specific circumstances or facts to bear down on generalities in the script? Or is this dangerous embellishment? David Mamet says to inv…
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WANT MORE? Become a subscriber on Spotify for bonus content! ⁠⁠https://podcasters.spotify.com/pod/show/actingclass/subscribe⁠⁠ This episode begins with the exercise of telling someone else’s story. It involves hearing a story from someone in class, and then retelling it as our own. This is a great technique exercise because it allows you to layer i…
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WANT MORE? Become a subscriber on Spotify for bonus content! ⁠⁠https://podcasters.spotify.com/pod/show/actingclass/subscribe⁠⁠ Milton begins this episode by emphasizing the importance of observing human behavior— our own and others. The reason is, it gives us clues to everything, from character to circumstance to what “playing an action” looks like…
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This week, we go back to some of the fundamentals of acting technique. One of which is, The Biggest Sin: Thou Shall Not Make Performance Choices When You First Read The Script. But this is not something we’re always aware that we’re doing. We forget. Or— we have an immediate response to the character or the circumstances, and run with that first in…
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WANT MORE? Become a subscriber on Spotify for bonus content! ⁠https://podcasters.spotify.com/pod/show/actingclass/subscribe⁠ Have a question for Milton? Send us a voice note below or email us at: ⁠questionsformilton@gmail.com⁠ Also, check out our website: ⁠www.idontneedanactingclass.com⁠
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“Don’t shop at Kmart if there’s a Tiffany’s at 57th and 5th.” -Stella Adler on Making Choices This episode begins with Milton’s deconstruction of an audition. He talks about the downside of adding a lot of plot points to your preparation for a scene: it means you have to earn every single one of them in a way that feeds you emotionally. “But the ad…
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