Ep 34: Mind Over Matter to Maybe (We Should Call It A Day)

A Journey Through Stock Aitken Waterman

It was good news and bad news for Stock Aitken Waterman in mid-1988. On the upside, their run of hits continued with the next single for Kylie Minogue. After the runway success of "I Should Be So Lucky", Mike Stock and engineer Karen Hewitt were dispatched to Australia to record a follow-up — and we hear all about the meeting to convince Kylie to continue working with SAW after her shabby treatment in London, as well as the ups and downs of the recording sessions that ensued. Pete Hammond tells us about the earlier version of "Got To Be Certain" recorded by Mandy Smith, while David Howells explains how he commissioned music videos filmed in Australia — like the one for Kylie's single — from PWL in London. Another song SAW recorded with more than one vocalist is "Mind Over Matter", which was unfortunately not a success on the UK chart. That song's writer, Michael Jay, reveals why it went from a Debbie Harry track to being recorded and released by E.G. Daily — and he also talks about another PWL tune he wrote: "Cross My Heart" by Eighth Wonder. In more good news, Hazell Dean scored her next hit with "Maybe (We Should Call It A Day)", even if, as she explains, she wasn't that keen on the tune. And in bad news for music lovers: SAW worked with the England Football Team on a song that went all the way down the dumper.

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