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Sima Cunningham (Finom) with Helado Negro
Manage episode 440666364 series 78984
On this week’s Talkhouse Podcast we’ve got a pair of fantastic songwriters in a sweet conversation about craft and life in general: Sima Cunningham and Roberto Lange.
Lange has been making fascinating, lovely music under the name Helado Negro since 2009, mixing breezy indie-rock with electronic sounds, frequently with more than a passing nod to his Ecuadorian roots. His sonic world is always inviting, even as it’s sort of otherworldly, and he often matches those sounds with cool visuals—which is no wonder considering his background in computer art. Earlier this year, Lange released the eighth Helado Negro album; it’s called Phasor, and it’s among his best, mixing tranquil sounds with his searching spirit. You might be lulled and puzzled at the same time, which is a great feeling. Check out the song “Colores del Mar” right here.
The other half of today’s conversation, Sima Cunningham, is best known as half the core of Chicago band Finom, originally known as OHMME. Finom released its Not God earlier this year, and it’s full of unexpected pop turns tied together by the harmony between Cunningham and her longtime musical partner Macie Stewart. But the occasion for today’s conversation is actually Cunningham’s second solo album, just out on Ruination Records. It’s called High Roller, and it explores a more personal side to her songwriter. For example, there’s a great song written for Cunningham’s brother Liam Kazar, himself a musician and one-time Talkhouse Podcast guest as well. Check out “For Liam” right here.
In addition to that song, which Lange points out as a favorite on High Roller, these two chat about Cunningham’s adventures in Ireland, what it’s like to create an on-stage persona and interact with your audience, and how Cunningham’s new album was a 10-year journey that was worth the wait. Enjoy.
0:00 – Intro
2:40 – Start of the chat
5:56 – Sima’s mom is the most punk-rock person in their musical family
14:58 – Roberto on getting to a certain age in music
15:39 – Finding new ways to have a love affair with your audience
22:39 – Sima on figuring out how to be honest and vulnerable with her solo material
29:59 – Sima on playing new Finom songs and trying to figure out where to play solo
Thanks for listening to the Talkhouse Podcast, and thanks to Sima Cunningham and Roberto Lange for chatting. If you like what you heard, please follow Talkhouse on your favorite podcasting platform, and be sure to check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!
This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse
538 एपिसोडस
Manage episode 440666364 series 78984
On this week’s Talkhouse Podcast we’ve got a pair of fantastic songwriters in a sweet conversation about craft and life in general: Sima Cunningham and Roberto Lange.
Lange has been making fascinating, lovely music under the name Helado Negro since 2009, mixing breezy indie-rock with electronic sounds, frequently with more than a passing nod to his Ecuadorian roots. His sonic world is always inviting, even as it’s sort of otherworldly, and he often matches those sounds with cool visuals—which is no wonder considering his background in computer art. Earlier this year, Lange released the eighth Helado Negro album; it’s called Phasor, and it’s among his best, mixing tranquil sounds with his searching spirit. You might be lulled and puzzled at the same time, which is a great feeling. Check out the song “Colores del Mar” right here.
The other half of today’s conversation, Sima Cunningham, is best known as half the core of Chicago band Finom, originally known as OHMME. Finom released its Not God earlier this year, and it’s full of unexpected pop turns tied together by the harmony between Cunningham and her longtime musical partner Macie Stewart. But the occasion for today’s conversation is actually Cunningham’s second solo album, just out on Ruination Records. It’s called High Roller, and it explores a more personal side to her songwriter. For example, there’s a great song written for Cunningham’s brother Liam Kazar, himself a musician and one-time Talkhouse Podcast guest as well. Check out “For Liam” right here.
In addition to that song, which Lange points out as a favorite on High Roller, these two chat about Cunningham’s adventures in Ireland, what it’s like to create an on-stage persona and interact with your audience, and how Cunningham’s new album was a 10-year journey that was worth the wait. Enjoy.
0:00 – Intro
2:40 – Start of the chat
5:56 – Sima’s mom is the most punk-rock person in their musical family
14:58 – Roberto on getting to a certain age in music
15:39 – Finding new ways to have a love affair with your audience
22:39 – Sima on figuring out how to be honest and vulnerable with her solo material
29:59 – Sima on playing new Finom songs and trying to figure out where to play solo
Thanks for listening to the Talkhouse Podcast, and thanks to Sima Cunningham and Roberto Lange for chatting. If you like what you heard, please follow Talkhouse on your favorite podcasting platform, and be sure to check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!
This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse
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