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Love is the Message podcast द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Love is the Message podcast या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal
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LITM Extra - Interview with Daphne A. Brooks pt.1 [excerpt]

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Manage episode 317421385 series 2969336
Love is the Message podcast द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Love is the Message podcast या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal

This is an excerpt of a full length episode currently only available to patrons. To become a patron and support what we're doing from £3 per month, head to www.patreon.com/LoveMessagePod.
In this week's patrons-only episode we are happy to present the part 1 of our very first interview on LITM. Jeremy and Tim were happy to welcome the Black Feminist scholar and music critic Daphne A. Brooks to the show to discuss her new book, Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio.

In this episode Daphne talks with Tim and Jeremy about the writers, practitioners and 'organic intellectuals' who have created a new discourse around Black female sound, taking in figures such as the writer and collector of field recordings Zora Neale Hurston, the writer, journalist and singer Pauline Hopkins, and the writer and playwright Lorraine Hansberry. They dig into what it means to hold precious these forgotten figures, affectionate writing praxis, and the relationship between curatorial or archival work and contemporary music making. In part 2, coming in a fortnight, we will hear about some of the contemporary artists featured in the book, including Janelle Monáe and Beyonce.

Daphne A. Brooks is William R. Kenan, Jr. professor of African American studies, American Studies, Women's, Gender and Sexuality Studies and Music at Yale University; she is also director of graduate studies.She specializes in African American literary cultural performance studies, especially 19th century and trans-Atlantic culture. She is a rock music lover and has attributed her research interests in black performance to being a fan of rock music since a very young age.

Produced and edited by Matt Huxley.

Tracklist:
Zora Neale Hurston - Wake Up Jacob (trad. recorded 1928 in the field)
Mamie Smith - Crazy Blues
Elvie Thomas & Geeshie Wiley - Over To My House
Elvie Thomas & Gershie Wiley - Last Kind Words Blues

Books:
Daphne A. Brooks - Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound
Daphne A. Brooks - Jeff Buckley’s Grace
Zora Neale Hurston - Their Eyes Were Watching God
Pauline Hopkins - Of One Blood

  continue reading

126 एपिसोडस

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Manage episode 317421385 series 2969336
Love is the Message podcast द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Love is the Message podcast या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal

This is an excerpt of a full length episode currently only available to patrons. To become a patron and support what we're doing from £3 per month, head to www.patreon.com/LoveMessagePod.
In this week's patrons-only episode we are happy to present the part 1 of our very first interview on LITM. Jeremy and Tim were happy to welcome the Black Feminist scholar and music critic Daphne A. Brooks to the show to discuss her new book, Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio.

In this episode Daphne talks with Tim and Jeremy about the writers, practitioners and 'organic intellectuals' who have created a new discourse around Black female sound, taking in figures such as the writer and collector of field recordings Zora Neale Hurston, the writer, journalist and singer Pauline Hopkins, and the writer and playwright Lorraine Hansberry. They dig into what it means to hold precious these forgotten figures, affectionate writing praxis, and the relationship between curatorial or archival work and contemporary music making. In part 2, coming in a fortnight, we will hear about some of the contemporary artists featured in the book, including Janelle Monáe and Beyonce.

Daphne A. Brooks is William R. Kenan, Jr. professor of African American studies, American Studies, Women's, Gender and Sexuality Studies and Music at Yale University; she is also director of graduate studies.She specializes in African American literary cultural performance studies, especially 19th century and trans-Atlantic culture. She is a rock music lover and has attributed her research interests in black performance to being a fan of rock music since a very young age.

Produced and edited by Matt Huxley.

Tracklist:
Zora Neale Hurston - Wake Up Jacob (trad. recorded 1928 in the field)
Mamie Smith - Crazy Blues
Elvie Thomas & Geeshie Wiley - Over To My House
Elvie Thomas & Gershie Wiley - Last Kind Words Blues

Books:
Daphne A. Brooks - Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound
Daphne A. Brooks - Jeff Buckley’s Grace
Zora Neale Hurston - Their Eyes Were Watching God
Pauline Hopkins - Of One Blood

  continue reading

126 एपिसोडस

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