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Emily Doyle Moore and The Santa Fe Opera द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Emily Doyle Moore and The Santa Fe Opera या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal
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Larger Than Life: Verdi’s Falstaff with Quinn Kelsey

35:51
 
साझा करें
 

Manage episode 333239487 series 2944105
Emily Doyle Moore and The Santa Fe Opera द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Emily Doyle Moore and The Santa Fe Opera या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal

Who’ll serve the infamous jolly knight his just desserts? The list of candidates is long, and their scheme is hilarious. All will be revealed when Falstaff, Giuseppe Verdi’s classic farce, arrives on the Santa Fe Opera stage.

Host Jane Trembley speaks with Hawai’i native Quinn Kelsey about embodying the larger-than-life titular character and learns why comedy is more challenging to play than tragedy. Quinn also answers the million-dollar question: what would the celebrated Verdi baritone ask the great composer if given a chance?

If you think you know Verdi, think again. “[Falstaff] behaves like a totally different animal,” says Quinn. The final opera of Verdi’s storied career is a comedic masterpiece propelled by complex wit, outsized swagger, and vibrant music.

“John Falstaff is at that age where life is beginning to pass him by,” Quinn explains. “He still thinks he can charm the ladies, and you have to give him credit for having a huge amount of confidence.”

It doesn’t take long for that swagger to get the jolly knight into riotous trouble. “I don't normally get to play comedic characters,” Quinn says. Although pompous Falstaff is more serious than his fellow characters, all the fizzy stage antics are in response to his self-delusion.

In a role he’s played in different ways since 2014, Quinn is more than up to the vocal and emotional challenge, fully embracing Falstaff’s hubris, hedonism, and gullibility for Sir David McVicar’s sparkling new production. “The fact that I finally get to do something with Sir David from scratch? I'm looking forward to a really fun summer.”

FEATURING

Quinn Kelsey - Baritone

Website

Instagram

Facebook

CREDITS

Destination Santa Fe Opera is a Santa Fe Opera podcast, produced and edited by Andrea Klunder at The Creative Impostor Studios.

Post-Production Audio: Edwin R. Ruiz

Hosted by: Jane Trembley

Show Notes by: Lisa Widder

***

Learn more about the Santa Fe Opera and plan your visit at https://www.santafeopera.org.

We'd love for you to join us on Instagram, Twitter, Facebook, and TikTok @santafeopera.

  continue reading

32 एपिसोडस

Artwork
iconसाझा करें
 
Manage episode 333239487 series 2944105
Emily Doyle Moore and The Santa Fe Opera द्वारा प्रदान की गई सामग्री. एपिसोड, ग्राफिक्स और पॉडकास्ट विवरण सहित सभी पॉडकास्ट सामग्री Emily Doyle Moore and The Santa Fe Opera या उनके पॉडकास्ट प्लेटफ़ॉर्म पार्टनर द्वारा सीधे अपलोड और प्रदान की जाती है। यदि आपको लगता है कि कोई आपकी अनुमति के बिना आपके कॉपीराइट किए गए कार्य का उपयोग कर रहा है, तो आप यहां बताई गई प्रक्रिया का पालन कर सकते हैं https://hi.player.fm/legal

Who’ll serve the infamous jolly knight his just desserts? The list of candidates is long, and their scheme is hilarious. All will be revealed when Falstaff, Giuseppe Verdi’s classic farce, arrives on the Santa Fe Opera stage.

Host Jane Trembley speaks with Hawai’i native Quinn Kelsey about embodying the larger-than-life titular character and learns why comedy is more challenging to play than tragedy. Quinn also answers the million-dollar question: what would the celebrated Verdi baritone ask the great composer if given a chance?

If you think you know Verdi, think again. “[Falstaff] behaves like a totally different animal,” says Quinn. The final opera of Verdi’s storied career is a comedic masterpiece propelled by complex wit, outsized swagger, and vibrant music.

“John Falstaff is at that age where life is beginning to pass him by,” Quinn explains. “He still thinks he can charm the ladies, and you have to give him credit for having a huge amount of confidence.”

It doesn’t take long for that swagger to get the jolly knight into riotous trouble. “I don't normally get to play comedic characters,” Quinn says. Although pompous Falstaff is more serious than his fellow characters, all the fizzy stage antics are in response to his self-delusion.

In a role he’s played in different ways since 2014, Quinn is more than up to the vocal and emotional challenge, fully embracing Falstaff’s hubris, hedonism, and gullibility for Sir David McVicar’s sparkling new production. “The fact that I finally get to do something with Sir David from scratch? I'm looking forward to a really fun summer.”

FEATURING

Quinn Kelsey - Baritone

Website

Instagram

Facebook

CREDITS

Destination Santa Fe Opera is a Santa Fe Opera podcast, produced and edited by Andrea Klunder at The Creative Impostor Studios.

Post-Production Audio: Edwin R. Ruiz

Hosted by: Jane Trembley

Show Notes by: Lisa Widder

***

Learn more about the Santa Fe Opera and plan your visit at https://www.santafeopera.org.

We'd love for you to join us on Instagram, Twitter, Facebook, and TikTok @santafeopera.

  continue reading

32 एपिसोडस

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