The Next Reel Film podcast

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46:55

The War and Treaty’s Michael and Tanya Trotter grew up in Cleveland, Ohio, and Washington, DC, respectively, but both have family roots in the South. They also grew up in the musical traditions of their churches – Tanya in the Black Baptist Church and Michael in the Seventh Day Adventist Church – where they learned the power of song to move people. After becoming a father at a very young age, Michael eventually joined the armed forces and served in Iraq and Germany, where he took up songwriting as a way of dealing with his experiences there. Meanwhile Tanya embarked on a singing and acting career after a breakthrough appearance in Sister Act 2 alongside Whoopi Goldberg and Lauryn Hill. Now, after a long and sometimes traumatic journey, Michael and Tanya are married, touring, winning all sorts of awards, and set to release their fifth album together, and their fourth as The War and Treaty. Sid talks to Michael and Tanya about the new record, Plus One , as well as their collaboration with Miranda Lambert, what it was like to record at FAME studios in Muscle Shoals, and how they’re blending country, soul, gospel, and R&B. Learn more about your ad choices. Visit podcastchoices.com/adchoices…

The Next Reel Film Podcast

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A show about movies and how they connect. We love movies. We’ve been talking about them, one movie a week, since 2011. It’s a lot of movies, that’s true, but we’re passionate about origins and performance, directors and actors, themes and genres, and so much more. So join the community, and let’s hear about your favorite movies, too. When the movie ends, our conversation begins.

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The Next Reel Film Podcast

updated 12 days ago

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#Cinema #TruStory FM #Film #Filmcommentary #Moviereviews #Movies #Review

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The Next Reel Film Podcast

1
The Most Dangerous Game 1:04:40

6 days ago1:04:40

1:04:40

“What I needed was not a new weapon, but a new animal.” Setting the Stage for the Ultimate Hunt In 1932, RKO Pictures produced The Most Dangerous Game while simultaneously building elaborate jungle sets for their upcoming production of King Kong . Based on Richard Connell's 1924 short story, the film became one of the earliest to explore the concept of humans hunting humans. Using the same jungle sets and several cast members who would later appear in King Kong , including Fay Wray, directors Irving Pichel and Ernest B. Schoedsack crafted this taut 63-minute thriller on a modest budget. Join us – Pete Wright and Andy Nelson – as we kick off the People Hunting People series with this 1932 film The Most Dangerous Game . Pre-Code Thrills and Dark Psychology The film's pre-Code status allowed for surprisingly graphic content, including human heads displayed in jars and mounted on walls. Originally, even more shocking footage was shot, including fully stuffed human corpses positioned in death poses, though these scenes were ultimately cut. As Bob Rainsford and Eve Trowbridge run through the jungle, their clothing becomes increasingly torn and revealing – another pre-Code element that wouldn't have made it past censors a few years later. The film's exploration of hunting humans as sport raises intriguing questions about civilization versus savagery. Count Zaroff's twisted philosophy about hunting humans being the ultimate game creates a compelling narrative that examines humanity's darker impulses. Leslie Banks delivers a memorably sinister performance as Zaroff, using his real-life facial paralysis to enhance his character's menacing presence. Points of Discussion The innovative cinematography, including POV shots through the jungle Max Steiner's adventurous score that becomes diegetic when played on piano The film's efficient use of its brief 63-minute runtime Its enduring influence on the "humans hunting humans" subgenre The rapid development of the central romance This lean, atmospheric thriller maintains its impact even after 90 years. While some elements feel dated, The Most Dangerous Game effectively establishes many tropes that would define the "hunting humans" subgenre. We found much to admire in this tightly-crafted adventure, particularly its exploration of humanity's capacity for both civilization and savagery. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material and on Audible Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Women in Cages • Member Bonus 11:42

12 days ago11:42

11:42

“We all have our devils, my dear.” Roger Corman's Exploitation Era in the Philippines In the early 1970s, Roger Corman discovered he could stretch his production dollars further by filming in the Philippines. He partnered with established Filipino director Gerardo de Leon, known for his award-winning films and work in the Filipino film industry since 1938. Despite de Leon's prestigious background, Corman convinced him to direct Women in Cages , though de Leon would later distance himself from exploitation films. Join us – Pete Wright and Andy Nelson – as we continue our member bonus Roger Corman series with a conversation about Women in Cages . Breaking Free from Prison Film Conventions Pete and Andy engage in a spirited debate about the merits of Women in Cages , with Andy finding more depth than expected while Pete struggles with its exploitation elements. The film follows Jeff, a naive American woman framed by her drug-dealing boyfriend and imprisoned in a corrupt facility run by a sadistic guard played by Pam Grier. Through their discussion, they explore how the film attempts to balance serious themes with exploitation requirements. Deeper Themes Behind Prison Bars Strong performance by Pam Grier as Alabama, the complex and ruthless prison guard Examination of power dynamics and corruption within the prison system, though Pete questions if these themes truly land Controversial portrayal of violence and nudity that divides our hosts Noteworthy ending that leaves a lasting impact about women trapped in cycles of abuse Discussion of de Leon's reluctant participation in exploitation cinema Analysis of how the film handles themes of sexual exploitation and systemic corruption Classic Corman cost-cutting: Film set in a Spanish-speaking country but shot in the Philippines While Pete finds the film's exploitation elements overwhelming, distracting, and worst of all—boring, Andy appreciates its attempts to tackle deeper themes about women trapped in various forms of imprisonment. Whether viewing it as pure exploitation or something more substantial, Women in Cages represents an interesting chapter in Corman's production history and de Leon's career. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus content, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
Mank 1:07:11

13 days ago1:07:11

1:07:11

“You can make the world swear King Kong is ten stories tall and Mary Pickford a virgin at 40, yet you can’t convince starving voters that a turncoat socialist is a menace to everything California holds dear? You’re barely trying.” David Fincher's Personal Connection to Old Hollywood After decades of development, David Fincher finally brought his late father Jack Fincher's screenplay about Herman J. Mankiewicz to life. Originally planned for production in the late 1990s with Kevin Spacey and Jodie Foster attached, the project stalled when studios balked at Fincher's insistence on shooting in black and white. Following Jack Fincher's death in 2003, David continued developing the script, eventually partnering with Netflix who gave him creative freedom to realize his father's vision. Join us – Pete Wright and Andy Nelson – as we return to our David Fincher series with a conversation about Mank . Writing History Through a Modern Lens In discussing Mank , we explore how Fincher approaches the controversial story of who really wrote Citizen Kane , while examining the film's portrayal of 1930s Hollywood politics through a contemporary perspective. We debate the historical accuracy of certain story elements and character portrayals, particularly regarding Herman Mankiewicz's political leanings and relationship with William Randolph Hearst. Behind the Scenes of Old Hollywood The film raises interesting questions about the balance between historical accuracy and dramatic storytelling. While some criticize the film's creative liberties with Mankiewicz's political views and relationships, we discuss whether these changes serve a greater purpose in crafting a compelling narrative. This leads to a broader conversation about the responsibilities filmmakers have when telling true stories and whether artistic license can be justified in service of a larger truth. Key Discussion Points Oldman's compelling performance as Mankiewicz... without prosthetics The technical achievements in recreating the period look using modern digital tools Amanda Seyfried's standout portrayal of Marion Davies Trent Reznor and Atticus Ross's period-appropriate score recorded remotely during COVID The film's exploration of fake news and media manipulation then and now Crafting a Modern Classic While not ranking among Fincher's most dynamic works as far as we’re concerned, Mank succeeds as both a love letter to classic Hollywood and a thoughtful examination of the creative process. Despite some historical liberties, the film's technical excellence and strong performances make it a worthy addition to Fincher's filmography. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Check out these other Mank-adjacent conversations in The Next Reel’s family of podcasts: Movies We Like: Cinematographer Erik Messerschmidt on Chinatown The Film Board: Erik Messerschmidt joins Justin Jaeger and Tommy Metz III for a Conversation on The Killer The Film Board: Mank Find places to watch this at JustWatch Script Options Theatrical trailer Letterboxd Learn how to support our show and The Next Reel’s family of film podcasts by becoming a member. It's just $5 monthly or $55 annually . Learn more here. Follow the other podcasts in The Next Reel’s family of film podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like Sitting in the Dark Join the conversation with movie lovers from around the world in our Discord community ! Here’s where you can find us around the internet: The Web Letterboxd Facebook Instagram Threads Bluesky YouTube Flickchart Pinterest Pete Andy What are some other ways you can support us and show your love? Glad you asked! You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE . Or buy or rent movies we’ve discussed on the show from our WATCH PAGE . Or buy books, plays, etc. that was the source for movies we’ve discussed on the show from our ORIGINALS PAGE . Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT . Or sign up for AUDIBLE .…

The Next Reel Film Podcast

1
Anguish 1:03:04

20 days ago1:03:04

24 weeks ago58:50