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Welcome to the Sangam podcast, where amazing things happen. Cover art photo provided by Andrew Ridley on Unsplash: https://unsplash.com/@aridley88
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Sangat Vaani

Guruji's Bangalore Sangat

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मासिक
 
Amidst the global pandemic, when we are confined to our homes and left craving Guruji’s divine Satsangs, Sangat Vaani is an initiative to bring His global parivaar together on a virtual platform. In this audio series, the magic of satsangs is brought to you in the form of curated Podcasts published on the web. Each hourly episode includes soulful shabads, new satsangs, and insightful conversations.
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RSD Sanga

Ravindra Svarupa Dasa

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Ravindra Svarupa Dasa (William H. Deadwyler, III) is an initiated disciple of His Divine Grace A.C. Bhaktivedanta Swami Srila Prabhupada who is the Founder-Acarya of the International Society for Krishna Consciousness (ISKCON). Ravindra Svarupa Dasa received a B.A. in Philosophy from the University of Pennsylvania in 1966 and a Ph.D. in Religion from Temple University in 1980. In 1971 he became an initiated disciple of Srila Prabhupada. In his decades of service to ISKCON, he has served as t ...
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 124 śrī-bhagavān uvāca mat-prīty-utpādana-vyagra śrī-nārada suhṛt-tama hitam evākṛtātyantaṁ bhavān me rasikottama TRANSLATION The Supreme Lord said: Nārada, My dearest friend, you are always eager to please Me, and you are the best of those who relish transcendental emotions. You have now done Me a great fa…
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In this episode, we perceive the confusions in the mind of the confidante, as depicted in Sangam Literary work, Kalithogai 47, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and presents the confidante’s attempts to resolve the man’s quandary. ஒன்று, இரப்பான் போல் எளிவந்தும் சொல்லும்; உலகம் புரப்பான் போல்வது ஓர் …
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In this episode, we perceive the lady’s angst, as portrayed in Sangam Literary work, Kalithogai 46, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and narrates the thoughts revolving around a missed rendezvous. வீயகம் புலம்ப, வேட்டம் போகிய மாஅல் அம் சிறை மணி நிறத் தும்பி, வாய் இழி கடாத்த வால் மருப்பு ஒருத்தலோடு ஆ…
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In this episode, we listen to words that bring about transformation, as portrayed in Sangam Literary work, Kalithogai 45, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and relays good tidings to the lady. விடியல் வெங் கதிர் காயும் வேய் அமல் அகல் அறை, கடி சுனை கவினிய காந்தள் அம் குலையினை, அரும் மணி அவிர் உத்தி அர…
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In this episode, we listen to a passionate plea, as depicted in Sangam Literary work, Kalithogai 44, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and etches the virtue of the lady. கதிர் விரி கனை சுடர்க் கவின் கொண்ட நனஞ் சாரல் எதிரெதிர் ஓங்கிய மால் வரை அடுக்கத்து, அதிர் இசை அருவி தன் அம் சினை மிசை வீழ, முதிர்இண…
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In this episode, we hear the praises of the man, as portrayed in Sangam Literary work, Kalithogai 43, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and reveals the effect of singing about the man on the lady. தோழி வள்ளைப் பாட்டுப் பாடத் தலைவியை அழைத்தல் வேங்கை தொலைத்த வெறி பொறி வாரணத்து ஏந்து மருப்பின், இன வண்டு…
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In this episode, we perceive the lady’s trust in the man, as depicted in Sangam Literary work, Kalithogai 42, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and relates a joyous incident in the lady’s life. வள்ளைப் பாட்டுப் பாடத் தோழி அழைக்க, தலைவி இசைதல் ‘மறம் கொள் இரும் புலித் தொல் முரண் தொலைத்த முறம்செவி வாரணம…
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In this episode, we perceive the prosperity of a mountain country, as portrayed in Sangam Literary work, Kalithogai 41, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and reveals the power of words in changing a heart. வள்ளைப் பாட்டுப் பாட, தலைவியைத் தோழி அழைத்தல் பாடுகம், வா வாழி, தோழி! வயக் களிற்றுக் கோடு உலக்க…
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In this episode, we listen to varying narratives about a mountain country, as depicted in Sangam Literary work, Kalithogai 40, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and conveys the good tidings of a transformation. ‘அகவினம் பாடுவாம், தோழி!’ ‘அமர் கண் நகை மொழி, நல்லவர் நாணும் நிலை போல், தகை கொண்ட ஏனலுள் த…
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In this episode, we listen to an animated conversation, as depicted in Sangam Literary work, Kalithogai 39, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and sketches the events around revealing a lady’s love to her kin. ‘காமர் கடும் புனல் கலந்து எம்மோடு ஆடுவாள், தாமரைக்கண் புதைத்து, அஞ்சித் தளர்ந்து, அதனோடு ஒழு…
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In this episode, we perceive intriguing similes that capture the lady’s changing state, as portrayed in Sangam Literary work, Kalithogai 38, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and relates the success of the confidante’s initiative. இமைய வில் வாங்கிய ஈர்ஞ் சடை அந்தணன் உமை அமர்ந்து உயர்மலை இருந்தனனாக, ஐ…
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In this episode, we perceive a unique strategy in communication, as depicted in Sangam Literary work, Kalithogai 37, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and narrates an incident that unfolded in the millet fields.द्वारा Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 124 śrī-bhagavān uvāca mat-prīty-utpādana-vyagra śrī-nārada suhṛt-tama hitam evākṛtātyantaṁ bhavān me rasikottama TRANSLATION The Supreme Lord said: Nārada, My dearest friend, you are always eager to please Me, and you are the best of those who relish transcendental emotions. You have now done Me a great fa…
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Möt Dan Knagg, multiinstrumentalist och låtskrivare med rötterna i folkmusiken och med ett grenverk så långt ut i världen man kan nå. Här blandas influencer till nya stämningar och kluriga låttexter far iväg åt olika håll. Vilken musiker! Lyssna!द्वारा Chris Bendz
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In this episode, we perceive the anxiety of the lady, as portrayed in Sangam Literary work, Kalithogai 36, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and reveals troubling questions in the lady's mind.द्वारा Nandini Karky
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In this episode, we observe how the passage of time was perceived, as depicted in Sangam Literary work, Kalithogai 35, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and narrates the changes in spring.द्वारा Nandini Karky
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In this episode, we observe abstract traits projected on a person's state of mind, as portrayed in Sangam Literary work, Kalithogai 34, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and hints about virtues considered right and wrong in the Sangam era.…
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 118 śrī-parīkṣid uvāca etādṛśaṁ tad-vraja-bhāgya-vaibhavaṁ saṁrambhataḥ kīrtayato mahā-prabhoḥ puna tathā-bhāva-niveśa-śaṅkayā tāḥ preritā mantri-vareṇa saṁjñayā TRANSLATION Śrī Parīkṣit said: As the Supreme Lord continued ardently praising the splendor of the good fortune of Vraja, the expert counselor Udd…
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In this episode, we perceive how the changes in the season affects the lady, as portrayed in Sangam Literary work, Kalithogai 33, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and reveals an intricate truth about perception.द्वारा Nandini Karky
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In this episode, we observe the changes that accompanies the season of spring, as portrayed in Sangam Literary work, Kalithogai 32, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and concludes with a message of joy.द्वारा Nandini Karky
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In this episode, we perceive a poignant question and its resounding response, as depicted in Sangam Literary work, Kalithogai 31, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and presents a dual portrait of anxiety and consolation.…
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 110 rūpeṇa veṣeṇa ravāmṛtena vaṁśyāś ca pūrvānuditena viśvam sammohitaṁ prema-bhareṇa kṛtsnaṁ tiṣṭhantu dūre vraja-vāsinas te TRANSLATION My beautiful form, My dress, and the nectarean sound of My flute, never heard before, enchanted the whole universe with overwhelming love of God. So what to speak of how …
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Grammynominerad artisten Eva Hillered har alltid skrivit låtar. Nu lär hon andra att skriva egna låtar och håller kurser både här hemma i Sverige och på sitt älskade Kreta. Hon har skrivit boken Sångskolan som snart kommer ut i sin andra upplaga. Aktuell med ny platta - lyssna!द्वारा Chris Bendz
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In this episode, we perceive the support rendered by a bard, as depicted in Sangam Literary work, Kalithogai 30, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and sketches the prior acts of the man.द्वारा Nandini Karky
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In this episode, we perceive a message of good tidings, as portrayed in Sangam Literary work, Kalithogai 29, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and talks about the many elements that bring anxiety to the lady in the man's absence.…
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In this episode, we listen to a lady's lament and a confidante's consolation, as portrayed in Sangam Literary work, Kalithogai 28, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and narrates the seasonal changes in spring.द्वारा Nandini Karky
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In this episode, we perceive pertinent similes to describe a person's state of mind, as portrayed in Sangam Literary work, Kalithogai 27, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and reveals the thoughtfulness of the man.द्वारा Nandini Karky
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In this episode, we listen to the questions in the mind of a lady, as depicted in Sangam Literary work, Kalithogai 26, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and concludes with a reassuring message.द्वारा Nandini Karky
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In this episode, we perceive striking similes on human nature, as depicted in Sangam Literary work, Kalithogai 25, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and talks about the state of the lady in the event of the man's parting away.…
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 106 aho bhāmini jānīhi tat tan mama mahā-sukham mahimāpi sa māṁ hitvā tasthau tatrocitāspade TRANSLATION Ah, willful woman, please understand. All that I relished in Vraja gave Me the highest pleasure. And though the glory of those times has now abandoned Me, it still resides in that most worthy place.…
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In this episode, we perceive the lady's inferences about the man's course of action, as portrayed in Sangam Literary work, Kalithogai 24, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and sketches a dream study.द्वारा Nandini Karky
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Chris Bendz pratar sång, låtar och artistliv med fantastiska Anders von Hofsten, mannen som älskar sväng. Intensiv, energisk och hängiven musiken kastar han sig ut i olika projekt. Se honom live och du glömmer det inte. Lyssna!द्वारा Chris Bendz
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In this episode, we listen to the lady's feelings of despair, as depicted in Sangam Literary work, Kalithogai 23, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and vividly sketches the shades of abandonment.द्वारा Nandini Karky
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In this episode, we observe a unique technique of persuasion, as portrayed in Sangam Literary work, Kalithogai 22, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and depicts the changing stance of the man.द्वारा Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 106 aho bhāmini jānīhi tat tan mama mahā-sukham mahimāpi sa māṁ hitvā tasthau tatrocitāspade TRANSLATION Ah, willful woman, please understand. All that I relished in Vraja gave Me the highest pleasure. And though the glory of those times has now abandoned Me, it still resides in that most worthy place.…
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In this episode, we perceive the changing stance of the man, as portrayed in Sangam Literary work, Kalithogai 21, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and depicts the nature of wealth.द्वारा Nandini Karky
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In this episode, we perceive the lady's persuasive words, as portrayed in Sangam Literary work, Kalithogai 20, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and etches the value of togetherness.द्वारा Nandini Karky
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In this episode, we perceive the confidante's disappointment in the man's decision, as depicted in Sangam Literary work, Kalithogai 19, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and depicts the consequences of the man's parting.…
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 99 ata eva mayā svasya sthitim apy asthiteḥ samām dṛṣṭvā na gamyate tatra śṛṇv arthaṁ yuṣmad-udvahe TRANSLATION Therefore My staying with them would be equal to My absence. Realizing this, I have not returned there. Now hear the real reason I married you.
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In this episode, we listen to the confidante's plea to the man, as depicted in Sangam Literary work, Kalithogai 18, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and portrays the irreplaceable importance of togetherness.द्वारा Nandini Karky
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In this episode, we perceive picturesque similes employed to persuade a person, as depicted in Sangam Literary work, Kalithogai 17, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and presents the power of the right words at the right time.…
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In this episode, we perceive the deep love in the lady for the man who has parted away, as portrayed in Sangam Literary work, Kalithogai 16, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and reveals nuanced perspectives about seeking the help of gods.…
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 97 adṛśyamāne ca mayi pradīpta- viyoga-vahner vikalāḥ kadācit mṛtā ivonmāda-hatāḥ kadācid vicitra-bhāvaṁ madhuraṁ bhajante TRANSLATION And when they cannot see Me they become so torn that the fire of separation leaves them sometimes as though dead and sometimes as though insane. Thus they partake of the nec…
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In this episode, we listen to strong arguments against parting away, as portrayed in Sangam Literary work, Kalithogai 15, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and sketches a vivid portrait of the drylands' denizens.द्वारा Nandini Karky
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In this episode, we listen to the confidante's admonition about parting away, as portrayed in Sangam Literary work, Kalithogai 14, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and reveals the man's stance then and now.द्वारा Nandini Karky
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In this episode, we perceive a detailed account on the drylands, as depicted in Sangam Literary work, Kalithogai 13, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and presents a glimpse of the lady's protected life.द्वारा Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 94 yadi ca prītaye teṣāṁ tatra yāmi vasāmi ca tathāpi kim api svāsthyaṁ bhāvyaṁ nālocayāmy aham TRANSLATION But even if for their pleasure I were to return to live with them, I don’t see how that would help.
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In this episode, we perceive the battle between seeking wealth and being with a beloved, as depicted in Sangam Literary work, Kalithogai 12, penned by the Chera King Paalai Paadiya Perunkadunko. The verse is situated in the ‘Paalai’ or ‘Drylands landscape’ and stresses on the importance of love during youth.…
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