Kenower सार्वजनिक
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Two helpful tips to get over our resistance to marketing: make it fun, and offer a conversation. It’s nearly impossible to do anything well that we don’t enjoy, and we don’t so much sell our books as invite readers to join a conversation.द्वारा Bill Kenower
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Getting feedback from writing groups, beta readers, agents, and editors is just fine. But once the story or book is finished, it’s okay not to listen to criticism. It’s time to move on, and hopefully hear from the readers who liked what you’ve done.द्वारा Bill Kenower
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Stories can help tune us to the good part of life, what always exists beneath the surface. The good part is why life is worth living, though it’s easy to forget as we focus on the dull business of mere survival. It’s always worth it to remind yourself and your readers why we’re really here.द्वारा Bill Kenower
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The only way to learn is from experience, and everyone has to experience something to learn not to do it. As creative people, we will make mistakes, and plenty of them. The only way not to be afraid of those mistakes is to forgive them in yourself and everyone.द्वारा Bill Kenower
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If you’re like me, you prefer to be alone while you write. But you’re also never lonely, at least not when it’s going well. That’s because loneliness is feeling disconnected from that to which you always want connection. Writing is one way to practice that connection.द्वारा Bill Kenower
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Just like you can’t know every sentence in a paragraph before you write it, so too you can’t know how your career or life will unfold. As creative people, we must be more interested in what interests us most, and less on how we will sell it, publish it, or monetize it.द्वारा Bill Kenower
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Sometimes editing is hard because all those passages we reread and don’t like remind us of the parts of our life that seem to have happened to us but we know on some level we created ourselves. Writing is a chance to practice making choices on purpose, to choose what we actually want, to always be the author of our lives.…
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Every story has three arcs: The Physical, The Emotional, and The Intentional. The last is the most important – why you’re telling the story, the gift you’re giving the reader. Until you know it, you don’t know what the story is really about.द्वारा Bill Kenower
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It’s easy for writers to put all their attention on results – the finished book, the contract, the sales – and start believing that the experience of writing, what we’re actually doing, doesn’t really matter. Not only does your experience matter, it’s the only thing that matters.द्वारा Bill Kenower
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Writing can be like a performance since we never really know what’s going to happen when sit down at the desk. We must trust we’ll know what to write when our attention meets the story, when we’re actually present with our creative desire.द्वारा Bill Kenower
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This one of the most common hard parts for writers is taking that messy first draft and turning into something we’d actually like to share with others. The key is asking the right questions while we rewrite, the ones that keep us in the seat of our creativity.द्वारा Bill Kenower
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Our voice is not an expression of some discovered style, or of talent, or intelligence, but rather our unique interest. Let your work express that, what you actually care about in a story, in a scene, in a sentence, and your authentic voice will come through naturally.द्वारा Bill Kenower
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The big successes – the completed book, the published novel, the good sales – are always an accumulation of little successes. Yet writers often don’t appreciate those small successes because they don’t think they really count until the big ones have been met.द्वारा Bill Kenower
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Whether you use this language or not, you know what it feels like when you get out of your own way. But how do we do that? The key is getting curious, asking questions in which we’re sincerely interested, and then accepting any answer that comes.द्वारा Bill Kenower
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All rejection starts at home. First, the writer rejects herself by worrying what someone will think of her work, then the public rejects the book because it doesn’t feel authentic. Our job is to satisfy no one but ourselves. Success will naturally follow.द्वारा Bill Kenower
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A listener wanted to know how to get her story to “settle down” so she could tell it. The real discipline of writing is learning how to tell the difference between forcing and allowing, to know whether we’re following an idea that belongs in the story we’re telling, or simply starting a new one.द्वारा Bill Kenower
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Can’t find the time to write? Your life too busy, what with the job and the kids and just being tired at the end of the day? The question probably isn’t, “Where do I find the time to write?” But, “Is writing a waste of time?” It’s not, but sometimes it can seem that way.द्वारा Bill Kenower
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